Bajarangi

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Hanuman Chalisa

Can a 40-verse hymn provide the solution to all your problems in this lifetime… and beyond? Why do millions of devotees recite this hymn whenever they are fearful of the unknown? Hanuman Chalisa, a devotional hymn in praise of the Vanar or Monkey God Hanuman, may appear to be a mere chant which someone can recite in about two minutes. Each verse, however, conveys a much deeper message, which is described in this book: verse by verse. Consider this anecdote. Lord Rama sent Hanuman to the netherworld (Pataal-Lok) to fetch his ring that he claimed had fallen down. As Hanuman reached there and was searching for the ring, he requested the king of the netherworld, the serpent Vasuki, to help him. Vasuki led him to a massive mountain of identical rings. A surprised Hanuman requested Vasuki to help him find the actual ring. Vasuki told him about the circle of life wherein all the four yugas or eras (satya-yuga, treta-yuga, dwapar-yuga and kal-yuga) repeat in a periodic manner. Every treta-yuga in the past had a Lord Rama and Hanuman, and in future would also have the same. The mountain of rings is actually infinite for there is no beginning or end to this circle of life. Hanuman finally understood the purpose of his visit and returned to Ayodhya, expecting not to find Lord Rama there but assured that Lord Rama would be born again in future, in the next treta-yuga. Similar to the above mentioned story and the message, many other hidden pearls of wisdom and knowledge conveyed in Hanuman Chalisa are lucidly explained in this book.
First Day, Last Show

“Picture abhi baaki hai mere dost”; “Don ko pakadna mushkil hi nahi namumkin hai”; “Jo main bolta hun, Woh main karta hun. Jo main nahi bolta woh main definitely karta hun” Lines from well-remembered films (or ‘dialogues’ as we call them), are part of the currency of our everyday speech. Climactic scenes are unforgettably etched in our minds. Yes, we don’t just watch movies, we internalize them. How many times, have you selected a movie shuffling through multiple reviews and ratings only to find that what you see on screen is very different from what you were led to believe? You wonder if they were written more objectively and someone like you could tell what to expect? Here is an attempt to do just that. First Day, Last Show takes you through an engrossing journey of movies seen through the eyes of a common cinemagoer. The book is a bouquet of impressions about films gathered over a period of four years. You will relate to these views easily, even if you have not seen or heard about the movie earlier. All you need is to be a fairly regular cinema goer. If you love movies, you will love reading First Day, Last Show.
Pushing Gods Out

Author: Pushing Gods Out
language: en
Publisher: Leadstart Publishing Pvt Ltd
Release Date: 2022-01-09
Shanti is married into a clan of human gods. There is her husband Rampal (Keeper of Rama), his parents Ramdas (Servitor of Rama) and Rampyari (Beloved of Rama), as also his brother Ramprasad (Gift of Rama) and others. For the partial namesakes to fulfil the purpose of their being, they must have Rama, the lotus of their garden. They are all waiting for Shanti’s womb to bring him forth. Shanti too, is desperate to push him out so that he can liberate her from the invisible chains that fetter her body, mind, and soul. She sees him as her saviour-servitor-prince. She wants him to avenge her not just against her husband but all the men in the world. While the family is busy consulting priests in order to make the perfect vessel out of Shanti, who has thus far produced only three daughters of little merit, she is secretly learning chess manoeuvres to use in her turn. But Rama himself grows hesitant; he no longer wishes to be pushed out. Pushing Gods Out is a story of the trans-generational burden carried by men and women, husbands and wives, sons and daughters, in the god-decreed kingdom of patriarchs. Written in a sardonic tone with a dash of tragicomedy, this piercing satire reaches deep into the heart of a culture that imprisons in its rigid contours every one of its followers.