Asthetik Und Literaturtheorie In China Von Der Tradition Bis Zur Moderne
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Ästhetik und Literaturtheorie in China. Von der Tradition bis zur Moderne
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The Bloomsbury Research Handbook of Chinese Aesthetics and Philosophy of Art
Author: Marcello Ghilardi
language: en
Publisher: Bloomsbury Publishing
Release Date: 2021-07-15
For anyone working in aesthetics interested in understanding the richness of the Chinese aesthetic tradition this handbook is the place to start. Comprised of general introductory overviews, critical reflections and contextual analysis, it covers everything from the origins of aesthetics in China to the role of aesthetics in philosophy today. Beginning in early China (1st millennium BCE), it traces the Chinese aesthetic tradition, exploring the import of the term aesthetics into Chinese thought via Japan around the end of the 19th century. It looks back to early practices of art and craftsmanship, showing how the history of Chinese thought provides a multitude of artefacts and texts that give rise to a wide range of aesthetic creations and notions. Introducing various perspectives on traditional arts in China, including painting, ceramics, calligraphy, poetry, music and theatre, it explores those aesthetic traditions not included in “canonic” art forms, such as martial arts, rock gardening, and ritual performance. Written by Chinese, European, and American theoreticians and practitioners, this authoritative research resource enhances contemporary aesthetics by revealing the possibilities of a Chinese philosophy of art.
The Philosopher Li Zehou
Author: Jana S. Rošker
language: en
Publisher: State University of New York Press
Release Date: 2025-05-01
Deepens our understanding of this contemporary Chinese thinker's philosophy and its significance. Li Zehou (1930–2021) was one of China's most prominent contemporary philosophers, transforming Confucian philosophy into a resource for positive change. From a critical rereading of the Analects to a formulation of his own aesthetic theory, Li reinterpreted the tradition from earliest times down to the present day. In this effort, he was inspired by Marx and Kant but was neither a Marxist nor a Kantian. Nor was he a Confucian. He was, and remains, an original: the philosopher Li Zehou. In this volume, Chinese, European, and US scholars explore Li's contributions to Chinese philosophy and culture, deepening our understanding of his philosophy and its significance while also celebrating the intellectual diversity and richness of Chinese philosophical thought. In a passionate and dedicated endeavor to ensure that Li's philosophy endures and continues to inspire scholars, particularly the younger generation of academics, both in China and around the world, the volume aims to serve as a catalyst for ongoing scholarship and discourse on the work of the philosopher Li Zehou.