Artful Experiments
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Artful Experiments
Author: Philipp Erchinger
language: en
Publisher: Edinburgh University Press
Release Date: 2018-09-03
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them
Art and Politics between the Arab World and Latin America
Intertwined with the histories of Arab migration to the Americas from the nineteenth century until now, the emergence of competing nationalist narratives within Arab communities in Latin America, and the birth of anti-imperialist and anticolonial struggles, the history of cultural entanglements between the Arab world and Latin America spans over a hundred years––and reveals the vital role of art in creating bridges between the two regions. This book, the first of its kind, gathers interventions that showcase the twentieth century as a period of intense redefinitions and cultural effervescence across the whole of Latin America and the Arab world. The result is a polished image of the twentieth century as a period whose shifting categories of affiliation were tied to events and movements that connected the two regions in ever deepening ways, and to forms of artful experimentation through which political ideologies, alternative collective identities, and aesthetic movements could be contested or embraced. Contributors are Diogo Bercito, Kevin Funk, Silvina Schammah Gesser, Laure Guirguis, Olivier Hadouchi, Julia Solana Jáuregui, John Tofik Karam, Edgardo Manero, Mariano Mestman, Gabriella Nugent, Maru Pabón, Laura Reali and Juan José Vagni.
Practicing Art/Science
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation. In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.