Art Beyond Representation The Performative Power Of The Image Pdf
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A Critical Companion to Stanley Kubrick
Author: Elsa Colombani
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2020-10-16
A Critical Companion to Stanley Kubrick offers a thorough and detailed study of the films of the legendary director. Labeled a recluse, a provocateur, and a perfectionist, Kubrick revolutionized filmmaking, from the use of music in film, narrative pacing and structure, to depictions of war and violence. An unparalleled visionary, his work continues to influence contemporary cinema and visual culture. This book delves into the complexities of his work and examines the wide range of topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide range of methodologies and explore new trends of research in film studies, providing a series of unique and novel perspectives on all of Kubrick’s thirteen feature films, from Fear and Desire (1953) to Eyes Wide Shut (1999), as well as his work on A.I. Artificial Intelligence (Steven Spielberg, 2001).
Art Beyond Representation
Author: Barbara Bolt
language: en
Publisher: Bloomsbury Publishing
Release Date: 2010-10-07
Refuting the assumption that art is a representational practice, this book engages with the work of Heidegger, Deleuze and Guattari, C.S. Pierce and Judith Butler. It argues for a performative relationship between art and artist. Drawing on themes as diverse as the work of Cezanne and Francis Bacon, the transubstantiation of the Catholic sacrament, and Wilde's novel "The Picture of Dorian Gray", she challenges the metaphor of light as entertainment. She suggests that too much "light" may in fact reveal nothing. Finally, she asks: how does an "embodied" practice fare within the culture of conceptual art?
High Definition
A pioneering title, High Definition explores theonslaught of new and highly accurate digital metrology tools inlarge- and small-scale 3-D scanning and 3-D modelling. Capable ofmeasuring space to an accuracy of less than 1 mm, these tools offerunprecedented precision for the development and interrogation ofdesign before, during and post production. Over the last decade orso, the array of designers’ digital tools to propose and maketheir ideas have evolved significantly, but the absence ofhigh-accuracy, zero-tolerance design production has often remainedthe missing piece between design and fulfilment. Innovativetechnologies are thus substantially recalibrating the way thatdesigners operate in the world between the drawn and the made,having the power to transform the architect’s role from thatof visualiser to one that is intensely involved with therealisation of objects and buildings. High Definition willexamine the capabilities of advanced technologies in designproduction through their impact on design theory, practice andgreater levels of collaboration between design and manufacturing.It will permeate the entangled world between means and meaning andunravel a new understanding between the representation andproduction of architectural design. Contributors include: Philip Beesley, Centre for AdvancedSpatial Analysis, Gehry Technologies, Ruairi Glynn, Zaha HadidArchitects, ScanLAB Projects, Territorial Agency, Skylar Tibbits,Mike Webb.