Art Beyond Itself


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Art beyond Itself


Art beyond Itself

Author: Néstor García Canclini

language: en

Publisher: Duke University Press

Release Date: 2014-06-17


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First published in Spanish in 2010, Art beyond Itself is Néstor García Canclini's deft assessment of contemporary art. The renowned cultural critic suggests that, ideally, art is the place of imminence, the place where we glimpse something just about to happen. Yet, as he demonstrates, defining contemporary art and its role in society is an ever more complicated endeavor. Museums, auction houses, artists, and major actors in economics, politics, and the media are increasingly chummy and interdependent. Art is expanding into urban development and the design and tourism industries. Art practices based on objects are displaced by practices based on contexts. Aesthetic distinctions dissolve as artworks are inserted into the media, urban spaces, digital networks, and social forums. Oppositional artists are adrift in a society without a clear story line. What, after all, counts as transgression in a world of diverse and fragmentary narratives? Seeking a new analytic framework for understanding contemporary art, García Canclini is attentive to particular artworks; to artists including Francis Alÿs, León Ferrari, Teresa Margolles, Antoni Muntadas, and Gabriel Orozco; and to efforts to preserve, for art and artists, some degree of independence from religion, politics, the media, and the market.

Art beyond Itself


Art beyond Itself

Author: Néstor García Canclini

language: en

Publisher: Duke University Press Books

Release Date: 2014-05-02


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First published in Spanish in 2010, Art beyond Itself is Néstor García Canclini's deft assessment of contemporary art. The renowned cultural critic suggests that, ideally, art is the place of imminence, the place where we glimpse something just about to happen. Yet, as he demonstrates, defining contemporary art and its role in society is an ever more complicated endeavor. Museums, auction houses, artists, and major actors in economics, politics, and the media are increasingly chummy and interdependent. Art is expanding into urban development and the design and tourism industries. Art practices based on objects are displaced by practices based on contexts. Aesthetic distinctions dissolve as artworks are inserted into the media, urban spaces, digital networks, and social forums. Oppositional artists are adrift in a society without a clear story line. What, after all, counts as transgression in a world of diverse and fragmentary narratives? Seeking a new analytic framework for understanding contemporary art, García Canclini is attentive to particular artworks; to artists including Francis Alÿs, León Ferrari, Teresa Margolles, Antoni Muntadas, and Gabriel Orozco; and to efforts to preserve, for art and artists, some degree of independence from religion, politics, the media, and the market.

The Philosophy of Fine Art (Vol. 1-3)


The Philosophy of Fine Art (Vol. 1-3)

Author: Georg Wilhelm Friedrich Hegel

language: en

Publisher: DigiCat

Release Date: 2023-11-12


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Georg Wilhelm Friedrich Hegel's seminal work, "The Philosophy of Fine Art" (Volumes 1-3), offers a profound exploration of the interplay between art, culture, and philosophy. Hegel employs a dialectical method to analyze the evolution of artistic expression, asserting that art serves as a manifestation of the Absolute Spirit. Through detailed examinations of various art forms—visual arts, music, and literature—Hegel delves into their aesthetic qualities while situating them within historical contexts. His dense yet poetic prose invites readers to reflect on the nature of beauty and the role of the artist in society, ultimately positing that art reveals the underlying rationality of the world itself. Hegel, a pivotal figure in German Idealism, draws on his background in philosophy, history, and aesthetics to enrich his arguments. His engagement with contemporary thinkers and the socio-political landscape of 19th-century Europe profoundly influenced his reflections on art. Hegel's belief in the power of human creativity is underscored by his conviction that art not only reflects but also shapes human consciousness, making it a vital element of cultural development. This remarkable scholarly work is essential for those seeking to comprehend the complexities of art through a philosophical lens. It appeals to art historians, philosophers, and anyone fascinated by the intersections of creativity and intellectual thought. Hegel's insights invite readers to reconsider their understanding of art's role in cultivating the human experience.