Art And Tradition In A Time Of Uprisings

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Art and Tradition in a Time of Uprisings

Examining radical reinventions of traditional practices, ranging from a queer reclamation of the Jewish festival of Purim to an Indigenous remixing of musical traditions. Supposedly outmoded modes of doing and making—from music and religious rituals to crafting and cooking—are flourishing, both artistically and politically, in the digital age. In this book, Gabriel Levine examines collective projects that reclaim and reinvent tradition in contemporary North America, both within and beyond the frames of art. Levine argues that, in a time of political reaction and mass uprisings, the subversion of the traditional is galvanizing artists, activists, musicians, and people in everyday life. He shows that this takes place in strikingly different ways for Indigenous and non-Indigenous people in settler colonies. Paradoxically, experimenting with practices that have been abandoned or suppressed can offer powerful resources for creation and struggle in the present. Levine shows that, in projects that span “the discontinuum of tradition,” strange encounters take place across the lines of class, Indigeneity, race, and generations. These encounters spark alliance and appropriation, desire and misunderstanding, creative (mis)translation and radical revisionism. He describes the yearly Purim Extravaganza, which gathers queer, leftist, and Yiddishist New Yorkers in a profane reappropriation of the springtime Jewish festival; the Ottawa-based Indigenous DJ collective A Tribe Called Red, who combine traditional powwow drumming and singing with electronic dance music; and the revival of home fermentation practices—considering it from microbiological, philosophical, aesthetic, and political angles. Projects that take back the vernacular in this way, Levine argues, not only develop innovative forms of practice for a time of uprisings; they can also work toward collectively reclaiming, remaking, and repairing a damaged world.
Art and the Arab Spring

Author: Siobhan Shilton
language: en
Publisher: Cambridge University Press
Release Date: 2021-07-08
Examines art by over twenty-five artists to enable a greater understanding of the 'Arab Uprisings' and of the term 'revolution'.
Asia's Unknown Uprisings Volume 1

Using social movements as a prism to illuminate the oft-hidden history of 20th-century Korea, this book provides detailed analysis of major uprisings that have patterned that country’s politics and society. From the 1894 Tonghak Uprising through the March 1, 1919, independence movement and anti-Japanese resistance, a direct line is traced to the popular opposition to U.S. division of Korea after World War Two. The overthrow of Syngman Rhee in 1960, resistance to Park Chung-hee, the 1980 Gwangju Uprising, as well as student, labor, and feminist movements are all recounted with attention to their economic and political contexts. South Korean opposition to neoliberalism is portrayed in detail, as is an analysis of neoliberalism’s rise and effects. With a central focus on the Gwangju Uprising (that ultimately proved decisive in South Korea’s democratization), the author uses Korean experiences as a baseboard to extrapolate into the possibilities of global social movements in the 21st century. Previous English-language sources have emphasized leaders—whether Korean, Japanese, or American. This book emphasizes grassroots crystallization of counter-elite dynamics and notes how the intelligence of ordinary people surpasses that of political and economic leaders holding the reins of power. It is the first volume in a two-part study that concludes by analyzing in rich detail uprisings in nine other places: the Philippines, Burma, Tibet, China, Taiwan, Bangladesh, Nepal, Thailand, and Indonesia. Richly illustrated, with tables, charts, graphs, index, and endnotes.