Arrancame La Vida

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Arráncame la vida

Catalina es una persona apasionada e imaginativa, casada con un hombre que sólo tiene intereses políticos, en un contexto social donde la mujer sigue siendo una figura exquisita, pero al margen de lo importante.
Angeles Mastretta

The first major study on the works of the Mexican novelist, Angeles Mastretta, demonstrating the rich complexity and range of the author's fiction and essays. The Mexican novelist, Angeles Mastretta [b. 1949], has only recently received serious critical attention largely because her work has been seen as 'popular' and therefore inappropriate for academic study. This first major work tobe published on Mastretta seeks to demonstrate the rich complexity and range of the author's fiction and essays. In the tradition of Post-Boom Latin American women's writing, Mastretta's texts are motivated by a desire to speak primarily of the silenced experiences and voices of women. Two of her novels, referential and testimonial in style, can be placed within the Mexican Revolutionary Novel tradition and explore the Revolutionary period and its consequences in the light of female experiences and perspectives. The hitherto unexplored themes of female sexuality and bodily erotics in Mastretta's texts are also considered in this volume. Her feminist works avoid facile simplifications: heterogeneous and dialogical, they interweave the historical and the fictional, the everyday and the fantastic. The originality of Mastretta's writing lies in its elusive postmodern ambiguities: shimmering surfacesare often interrupted by unexpected depths and proliferating meanings cannot be fully circumscribed by critical analysis. Jane Elizabeth Lavery lectures in Latin American Studies at the University of Kent.
A Companion to Modern Spanish American Fiction

With such figures as Jorge Luis Borges, Miguel ngel Asturias and Gabriel Garc a M rquez (both the latter Nobel Prizewinners) Spanish American fiction is now unquestionably an integral part of the mainstream of Western literature. This book draws on the most recent research in describing the origins and development of narrative in Spanish America during the nineteenth and twentieth centuries, tracing the pattern from Romanticism and Realism, through Modernismo, Naturalism and Regionalism to the Boom and beyond. It shows how, while seldom moving completely away from satire, social criticism and protest, Spanish American fiction has evolved through successive phases in which both the conceptions of the writer's task and presumptions about narrative and reality have undergone radical alterations. DONALD SHAW holds the Brown Forman Chair of Spanish American literature in the University of Virginia.