Arot And Other Meditation Decks
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Tarot and Other Meditation Decks
Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Symbolism, Surrealism, and Pattern and Decoration Art, as well as the concepts and theories informing both the dominance and the dissolution of the modernist "grid" and hierarchical priorities. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction. A new chapter addresses the growing influence of the archetypal "shadow" and "shadow work" on Tarot as an artistic form, narrative genre, and practice in the new millennium.
Tarot and Other Meditation Decks
Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Symbolism, Surrealism, and Pattern and Decoration Art, as well as the concepts and theories informing both the dominance and the dissolution of the modernist "grid" and hierarchical priorities. This work also explores the close connection between Tarot and the invention of the literary novel and includes new material on the representation of Tarot in film and fiction. A new chapter addresses the growing influence of the archetypal "shadow" and "shadow work" on Tarot as an artistic form, narrative genre, and practice in the new millennium.
Tarot and Other Meditation Decks
Hundreds of new Tarot decks have been produced in the late twentieth century, many of them based on the structure and images of Arthur Waite and artist Pamela Smith's Rider-Waite deck (1910). The continuing popularity and influence of the Rider-Waite deck makes it a standard for identifying, categorizing and analyzing contemporary Tarot and other meditation decks. This work of art history analyzes such decks in relation to conventional art styles and movements, including Symbolism, Surrealism, the modernist "grid" and the low/high value hierarchy, and postmodern art movements and concepts such as the dissolution of the modernist value hierarchy, Pattern and Decoration art, and collage. It also examines them in relation to literary concepts, including the novel, utopias, and popular genres. The author's analysis is supported by numerous illustrations, including the Rider-Waite major arcana cards juxtaposed with examples of their counterparts from more recent decks.