An Old Spelling Critical Edition Of The History Of The Two Maids Of More Clacke
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An Old-Spelling, Critical Edition of The History of the Two Maids of More-Clacke
First published in 1979, this volume is an old-spelling, critical edition of a comedy by Robert Armin, written between 1598 and 1606, a period spanning his employment as a comic actor in Shakespeare’s company. Had all his writings been among the many of his period which disappeared, we should not be crucially deprived. Nonetheless, Alexander S. Liddie suggests that Armin’s life and work deserve a niche in our understanding of the literary, theatrical and social scene of Shakespearian England. Armin’s talent, though limited, was varied, and he was one of only a few playwrights of his era who combined the creative function with the mimetic art. While the style of The Two Maids of More-clacke is admittedly garbled and rarely lucid, its plot incredibly labyrinthian and its characterisations vague, these elements also serve as vehicles for an extended criticism-by-parody of Shakespeare’s major tragedies, particularly Hamlet. All those interested in Shakespeare must be curious to assess this popular entertainer’s response to the great dramatist.
Marston, Rivalry, Rapprochement, and Jonson
Significant and unexplored signs of John Marston's literary rivalry with Ben Jonson are investigated here by Charles Cathcart. The centrepiece of the book is its argument that the anonymous play The Family of Love, sometimes attributed to Thomas Middleton and sometimes to Lording Barry, was in part the work of John Marston, and that it constitutes a whimsical statement of amity with Jonson. The book concerns itself with material rarely or never viewed as part of the "Poets' War" (such as the mutual attempted cuckoldings of The Insatiate Countess and the Middle Temple performance of Twelfth Night) rather than with texts (like Satiromastix and Poetaster) long considered in this light.
The Framing Text in Early Modern English Drama
Author: Brian W. Schneider
language: en
Publisher: Ashgate Publishing, Ltd.
Release Date: 2011
Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. Combining original analysis with carefully compiled, comprehensive reference data, the author fills a gap in the literature by examining the origins of these texts and investigating their growing importance and influence in the theatre of the period.