An Artless Art
Download An Artless Art PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get An Artless Art book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
An Artless Art - The Zen Aesthetic of Shiga Naoya
Shiga Naoya was a giant of Japanese literature but he is barely known outside Japan. This book is the first study of Shiga to explore in depth his affinities - both aesthetic and philosophic - with the long tradition of Zen art.
Zen in the Art of Archery
Zen in the Art of Archery (Zen in der Kunst des Bogenschießens) is a book by German philosophy professor Eugen Herrigel, about his experiences studying Kyūdō, a form of Japanese archery, when he lived in Japan in the 1920s. It is credited with introducing Zen to Western audiences in the late 1940s and 1950s. The book sets forth theories about motor learning. Herrigel has an accepting spirit towards and about unconscious control of outer activity that Westerners heretofore considered to be wholly under conscious-waking control and direction. For example, a central idea in the book is how through years of practice, a physical activity becomes effortless both mentally and physically, as if our physical memory (today known as ""muscle memory"") executes complex and difficult movements without conscious control from the mind. Herrigel describes Zen in archery as follows: ""(...) The archer ceases to be conscious of himself as the one who is engaged in hitting the bull's-eye which confronts him. This state of unconscious is realized only when, completely empty and rid of the self, he becomes one with the perfecting of his technical skill, though there is in it something of a quite different order which cannot be attained by any progressive study of the art (...)""
Henri Cartier-Bresson and the Artless Art
Henri Cartier-Bresson is renowned for capturing the humour, spontaneity and universality of life in his photographs. This volume traces his artistic progression from his earliest works right up to the present, and includes images from France in the late 1920s and Mexico and Spain in the early 1930s. Compartative images by photographers such as Daguerre and Atget are included, and a selection of Cartier-Bresson's paintings and drawings are shown alongside his more famous photographs. The author analyzes his most famous images and discusses the various philosophies that inform his work, notably Zen and Surrealism.