An Analytical Survey Of The Fifteen Two Part Inventions By J S Bach


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An Analytical Survey of the Fifteen Two-Part Inventions by J. S. Bach


An Analytical Survey of the Fifteen Two-Part Inventions by J. S. Bach

Author: Theodore O. Johnson

language: en

Publisher: Bloomsbury Publishing PLC

Release Date: 1982-08-02


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The Pianist's Bookshelf, Second Edition


The Pianist's Bookshelf, Second Edition

Author: Maurice Hinson

language: en

Publisher: Indiana University Press

Release Date: 2023-11-07


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Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

A Practical Approach to 18th Century Counterpoint


A Practical Approach to 18th Century Counterpoint

Author: Robert Gauldin

language: en

Publisher: Waveland Press

Release Date: 2013-03-04


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Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.