All Yesterdays Parties
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All Yesterdays' Parties
The Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.
The Velvet Underground
Author: Sean Albiez
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2022-09-08
Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. In the 1970s and 80s Lou Reed, John Cale and Nico produced a number of works that traveled a path between art and pop. In 1993 the original band members of Reed, Cale, Morrison and Tucker briefly reunited for live appearances, and afterwards Reed, Cale and briefly Tucker, continued to produce music that travelled the idiosyncratic path begun in New York in the mid-1960s. The influence of the band and band members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996 the Velvet Underground were in inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had traveled in 30 years from an avant-garde cult to the mainstream recognition of their key contributions to popular music. In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics including the band's relationship to US literature, to youth and cultural movements of the 1960s and beyond and to European culture - and examines these contexts from the 1960s through to the present day.
Inside the Dream Palace
Winner of the National Award for Arts Writing: “If there were a course in Chelsea Hotel-iana, this would be the textbook” (The New York Times). It’s where Dylan Thomas lived his last days, Bob Dylan wrote Blonde on Blonde, and Arthur C. Clarke wrote 2001: A Space Odyssey. It is memorialized by many of its famous inhabitants: Andy Warhol filmed Chelsea Girls there, and Leonard Cohen wrote Chelsea Hotel #2 about his tryst with Janis Joplin. Since its founding by a utopian-minded French architect in 1884, New York’s Chelsea Hotel has been a hotbed of artistic invention and inspiration. Cultural luminaries from Sid Vicious to Thomas Wolfe, Edith Piaf to Patti Smith, Jean-Paul Sartre to Dee Dee Ramone—all made the Chelsea the largest and longest-lived artist community in the world. Inside the Dream Palace tells the hotel’s story, from its earliest days as a cooperative community, through its pop art, rock-and-roll, and punk periods, to its later transformations under new ownership. With this lively and fascinating history, “Tippins tells riveting stories about the Chelsea’s artists, but she also captures a much grander, and more pressing, narrative: that of the ongoing battle between art and capitalism in the city” (The New Yorker). “An inspired investigation into the utopian spirit of the Chelsea Hotel.” —Elle “An impossible order for any writer: Get the Chelsea’s romance down on paper and try to keep up with Patti Smith and Joni Mitchell and Arthur Miller. But Sherill Tippins’s history does a vivid job of taking you up into those seedy, splendid hallways, now gone forever.” —New York magazine “Tippins succeeds where other historians studying New York landmarks have failed: She understands that even the most splendid buildings are mere settings for the personalities that inhabit them, and wisely bypasses rote chronology for the vigor of cultural excavation.” —Time Out New York “Not only essential to the understanding of this crucial New York City—and therefore American—cultural landmark, but as majestic and populous as the edifice itself, and completely entertaining.” —Daniel Menaker, author of My Mistake