All That Is Solid Melts Into Air
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All that is Solid Melts Into Air
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Modernism in the Streets
Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical ’60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman’s intellectual autobiography, tracing his career as a thinker through the way he read the “signs in the street.””
Communities of Resistance
‘There is no socialism after liberation, socialism is the process through which liberation is won.’ Each of the essays in Communities of Resistance acts as a critical reaffirmation of socialist politics as the context for questions of race and resistance. The left itself is under scrutiny here—from a black perspective. A series of powerful interventions covers many of the issues which have confronted radical politics in the 1980s: inner-city uprisings, the demand for black sections in the Labour Party, local government anti-racism, the move to a common European market. This collection included incisive critiques of contemporary Marxism (‘All that Melts into Air is Solid: The Hokum of “New Times” ’), of post-colonial development, and of the Eurocentric assessment of imperialism.