All Quiet On The Western Front First Edition
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All Quiet on the Western Front by Erich Maria Remarque (Book Analysis)
Author: Bright Summaries
language: en
Publisher: BrightSummaries.com
Release Date: 2015-12-21
Unlock the more straightforward side of All Quiet on the Western Front with this concise and insightful summary and analysis! This engaging summary presents an analysis of All Quiet on the Western Front by Erich Maria Remarque, the world famous novel in which he paints a vivid portrait of the horrors of war, inspired by his own experience in the First World War. Through the eyes of the young Paul Bäumer, the reader discovers the atrocities of an absurd conflict, as well as the solidarity and fraternity of the simple soldiers. The novel made him an enemy of the Nazis, who burnt many of his books during the Second World War. Since then, however, the novel has been adapted into an Oscar-winning movie starring Lew Ayres. Find out everything you need to know about All Quiet on the Western Front in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
All Quiet on the Western Front
Author: Erich Maria Remarque
language: en
Publisher: Liveright Publishing
Release Date: 2025-01-07
The greatest war novel of all time rendered in a taut, muscular, and urgent new translation. An immediate sensation when it was published in 1929, Erich Maria Remarque’s All Quiet on the Western Front has sold more than twenty million copies worldwide since then, making it the best-selling German novel of all time. Its impact is indisputable: it has been adapted for film, television, and other media; has influenced all subsequent works of war literature; and has been taught in high school and college classes ever since. Until now, one translation—published in 1929, and very much a product of its time—has introduced most readers in English to Remarque’s wrenching portrait of the horrors of trench warfare. Now, nearly a century later, renowned translator Kurt Beals recaptures the energy and descriptive force of the German original, rendering Remarque’s distinctly terse, telegraphic prose into a contemporary idiom, conveying for a new generation the immediacy and intensity of this classic novel.
Publishers, Readers and the Great War
Author: Vincent Trott
language: en
Publisher: Bloomsbury Publishing
Release Date: 2017-10-05
Literature is at the heart of popular understandings of the First World War in Britain, and has perpetuated a popular memory of the conflict centred on disillusionment, horror and futility. This book examines how and why literature has had this impact, exploring the role played by authors, publishers and readers in constructing the memory of the war since 1918. It demonstrates that publishers were as influential as authors in shaping perceptions of the conflict, and it provides a detailed analysis of critical and popular responses to war books, tracing the evolution of readers' attitudes to the war between 1918 and 2014. By exploring the cultural legacy of the war from these two previously overlooked perspectives, Vincent Trott offers fresh insights regarding the emergence of a collective memory of the First World War in Britain. Drawing on a broad range of primary source material, including publishers' correspondence, dust jackets, adverts, book reviews and diary entries, and examining canonical authors such as Wilfred Owen, Siegfried Sassoon and Vera Brittain alongside long-forgotten texts and more recent autobiographical works by Harry Patch and Henry Allingham, Publishers, Readers and the Great War provides a rich and nuanced analysis of the climate within which First World War literature was written, published and received since 1918.