All For One Voice Actor
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My Hero Academia, Vol. 3
A sinister group of villains has attacked the first-year U.A. students, but their real target is All Might. It’s all that Midoriya and his classmates can do to hold them off until reinforcements arrive. All Might joins the battle to protect the kids, but as his power runs out, he may be forced into an extremely dangerous bluff! -- VIZ Media
My Hero Academia, Vol. 29
Midoriya inherits the superpower of the world’s greatest hero, but greatness won’t come easy. What would the world be like if 80 percent of the population manifested superpowers called “Quirks”? Heroes and villains would be battling it out everywhere! Being a hero would mean learning to use your power, but where would you go to study? The Hero Academy of course! But what would you do if you were one of the 20 percent who were born Quirkless? Shigaraki Tomura has finally awakened, and as he begins to unleash his savage powers, the heroes realize it’s going to take everyone and everything they have to stop him. Several heroes have been lost already, and even as the number one hero, Endeavor, takes on Tomura, Midoriya and Bakugo must now put themselves on the front line. Meanwhile, the massive villain Gigantomachia rampages toward Jaku City. It seems nothing can stop him, but the students of U.A. are determined to succeed or die trying…
The Uncapturable
Author: Rubén Szuchmacher
language: en
Publisher: Bloomsbury Publishing
Release Date: 2020-09-03
The Uncapturable is a wide-ranging reflection on the art of the mise en scène from the perspective of leading Argentinian theatre director Rubén Szuchmacher. It offers a timely and concise, though comprehensive, survey of the role and responsibility of the theatre director from the earliest times to the twenty-first century. Szuchmacher defines theatre as the confluence of four art forms - architecture, visual art, sound and literature - whose works only truly exist in the moment of encounter with an audience. He argues that, by taking full account of these four art forms, analysing them in detail and engaging thoughtfully with the many specialists who come together to bring a mise en scène into being, the director of today can still create work that innovates and inspires. The Uncapturable is as valuable to the apprentice director emerging from their training as it is to the veteran in need of fresh reflection. Szuchmacher draws on the unique learnings gleaned from working in Argentina, be it the impact on theatre of politics, the need for inventiveness in times of hardship, the phenomenon of Argentine 'circus theatre' or the adaptation of literary giants such as Borges, affording the Anglophone reader an alternative perspective on the ideas of theatre we often take for granted. Szuchmacher offers a unique blend of global knowledge, historical awareness and a pragmatic, resourceful and creative approach from a theatre artist working in Latin American through decades of change. The book is translated from the Spanish by William Gregory.