Akira 3
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The Akira Book
This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954).
Akira Volume 1
Author: Katsuhiro Otomo
language: en
Publisher: National Geographic Books
Release Date: 2009-10-13
Welcome to Neo-Tokyo, built on the ashes of a Tokyo annihilated by a blast of unknown origin that triggered World War III. The lives of two streetwise teenage friends, Tetsuo and Kaneda, change forever when paranormal abilities begin to waken in Tetsuo, making him a target for a shadowy agency that will stop at nothing to prevent another catastrophe like the one that leveled Tokyo. At the core of the agency’s motivation is a raw, all-consuming fear of an unthinkable, monstrous power known only as Akira. Katsuhiro Otomo’s stunning science fiction masterpiece is considered by many to be the finest work of graphic fiction ever produced, and Otomo’s brilliant animated film version is regarded worldwide as a classic. This edition includes a new foreword from the author and a postscript from Dark Horse publisher Mike Richardson!
The Coming Death
Author: Richard F. Calichman
language: en
Publisher: State University of New York Press
Release Date: 2022-02-01
The Coming Death explores the question of death and mortality in several key texts of East Asian literature and cinema. By exposing the specific fields of Japanology and Sinology to the more general discourse of thanatology, Richard Calichman aims to define death more expansively on the basis of loss and disappearance. Typically, death is understood to be purely separate from life: where death is, life is not; and where life is, death is not. Yet this view fails to account not only for the frequency with which living individuals encounter the death of others, but also—and far more radically—for the disturbing fact that life in its unfolding remains at each moment open to the possibility of its own destruction. In this regard, Calichman argues, death must be conceived not simply as an actual event, but even more fundamentally as a general possibility without which life itself could not develop. At issue is how death reveals the emptiness of all identity, which demands that life and death no longer be conceived as purely oppositional. If mortal death can appear at the very origin of life, then the fullness or presence of life is at each instant threatened by the possibility of its negation. Through a reading of the works of such major artistic and intellectual figures as Kurosawa Akira, Tsai Ming-liang, Lu Xun, and Takeuchi Yoshimi, The Coming Death argues for a fundamental rethinking of mortality.