Akashvani
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AKASHVANI
Author: All India Radio (AIR), New Delhi
language: en
Publisher: All India Radio (AIR),New Delhi
Release Date: 1978-11-12
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 12 NOVEMBER, 1978 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 76 VOLUME NUMBER: Vol. XLIII, No. 46 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 3-30, 44-72 ARTICLE: 1. GandhiJi And Political Ethics 2. Free Press 3.Problems of Land Reforms 4.Why Through Torture 5.Electronics In The Modern Age 6.Weather Forecast From Satellite 7.On Giving Gifts 8.Worker Participation in Management 9.Franz Schubert (Master of Melody) AUTHOR: 1. Justice H .R. Khanna 2.K.M . Mathew 3. Discussion 4. D .N . Kaul 5. Dr. K. M. Hebbar 6. Smt. Ajana Chaudhuri 7. Ananda Kumar Raju 8. Prof. S.K. Roy 9. Lauella Lobo Prabhu KEYWORDS : 1.Gandhiji and political ethics, essence of gandhism, our deviation 2.Free press, reader is the judge 3.Problems of land reforms 5.Electronics in the modern age, origin 6.Weather forecast from satellite, 7.On giving gifts, 8.Worker participation in management, deep-rooted alienation 9.Franz Schubert (master of melody), love for literature Document ID : APE-1978 (O-D) Vol-II-07 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
AKASHVANI
Author: Publications Division (India),New Delhi
language: en
Publisher: Publications Division (India),New Delhi
Release Date: 1958-10-26
"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: Akashvani LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 26-10-1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIII, No. 43 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 14-48 ARTICLE: 1''....AND THEREBY HANGS A TALE” 2. IMPRESSIONS OF INDIA 3.THE NATURE OF MAN 4.INDIAN POSTAGE STAMPS 5.TOURISM IN INDIA 6.BOOKS ON MY SHELF AUTHOR: 1. JAL P. GIM’ 2. DR. CHARLES HILL, MINISTER FOR CO-ORDINATION, INFORMATION SERVICES, U.K. 3.R. P. NAGARAJA RAO 4.CAPT. E. F. EDULJEE 5.Interview with Union Minister for Transport and Communications, Shri S. K. Patil 6.ESTHER KURIEN Document ID: APE-1958(July-Dec)Vol-I-17 Prasar Bharati Archives has the copyright in all matter published in this and other AIR journals.For reproduction previous permission is essential.
Radio for the Millions
Author: Isabel Huacuja Alonso
language: en
Publisher: Columbia University Press
Release Date: 2023-01-03
Co-winner, 2023 AIPS Book Prize, American Institute of Pakistan Studies Finalist, 2023 Richard Wall Memorial Award, Theatre Library Association From news about World War II to the broadcasting of music from popular movies, radio played a crucial role in an increasingly divided South Asia for more than half a century. Radio for the Millions examines the history of Hindi-Urdu radio during the height of its popularity from the 1930s to the 1980s, showing how it created transnational communities of listeners. Isabel Huacuja Alonso argues that despite British, Indian, and Pakistani politicians’ efforts to usurp the medium for state purposes, radio largely escaped their grasp. She demonstrates that the medium enabled listeners and broadcasters to resist the cultural, linguistic, and political agendas of the British colonial administration and the subsequent independent Indian and Pakistani governments. Rather than being merely a tool of nation building in South Asia, radio created affective links that defied state agendas, policies, and borders. It forged an enduring transnational soundscape, even after the 1947 Partition had made a united India a political impossibility. Huacuja Alonso traces how people engaged with radio across news, music, and drama broadcasts, arguing for a more expansive definition of what it means to listen. She develops the concept of “radio resonance” to understand how radio relied on circuits of oral communication such as rumor and gossip and to account for the affective bonds this “talk” created. By analyzing Hindi film-song radio programs, she demonstrates how radio spurred new ways of listening to cinema. Drawing on a rich collection of sources, including newly recovered recordings, listeners’ letters to radio stations, original interviews with broadcasters, and archival documents from across three continents, Radio for the Millions rethinks assumptions about how the medium connects with audiences.