Affect Archive Archipelago
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Affect, Archive, Archipelago
Author: Beatriz Llenín-Figueroa
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2022-04-04
Inspired by Édouard Glissant’s and Marta Aponte Alsina’s critical-creative work, this book explores how Puerto Rico’s affective archive of Caribbean relations, from the nineteenth century through the twenty-first, has envisioned and embodied decolonization and sovereignty in relation to the archipelagic, the sea, and Caribbean regionalism. The book’s transdisciplinary archive includes historical figures and their legacies; political and activist thought, textuality, and action as performative interventions; and performance and live arts pieces, objects, materialities, and texts as political/activist actions. Affect, Archive, Archipelago begins by delving into the historical-political figures of Ramón Emeterio Betances, Luisa Capetillo, and Pedro Albizu Campos. It then encounters the work of the live arts collective Agua, Sol y Sereno; the political/activist work of Amigxs del MAR, Comuna Caribe, Mujeres que Abrazan la Mar, and Coalición 8M; and Teresa Hernández’s transdisciplinary artistic trajectory. Finally, stemming from the book’s argument and the immediate historical-political-affective context of Puerto Rico’s summer 2019 rebellion (Verano Boricua), the book offers some reflections and proposals for furthering decolonial, sovereign, archipelagic, and reparatory horizons for Puerto Rico
Archipelago Tourism Revisited
Author: Godfrey Baldacchino
language: en
Publisher: Taylor & Francis
Release Date: 2024-09-13
This timely and innovative book explores the dynamics of inter-island/island-island tourism – also known as archipelago tourism – on the cusp of the post-pandemic epoch. Embellished with illustrative maps and diagrams, the volume examines what novel approaches have been developed, if at all, so as not to repeat past mistakes, and nurture a more sustainable, 'island tourism' business model. It looks at how the political-economic relationship between main and outer islands changed during the pandemic and, if so, whether this shift has had a bearing on current tourism policy. The book also explores how these and other changes are reflected in how: islands are branded; island destinations are marketed; and island transport logistics play out. An array of archipelagos of varying sizes and locations is explored, assuring a global perspective. The book furthers our understanding of core-periphery dynamics in archipelago tourism. The volume will be of interest to students, researchers, policy makers and academics in the fields of tourism policy and planning, sustainability, island studies and development studies.
The Film Archipelago
Author: Antonio Gómez
language: en
Publisher: Bloomsbury Publishing
Release Date: 2021-12-16
How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising 15 essays and a critical introduction, The Film Archipelago: Islands in Latin American Cinema addresses this question by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematise islands. The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean; on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands; and on Cuban, Guadeloupean, Haitian, and Puerto Rican contexts. The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, and fragility and dependency. As a whole, the collection demonstrates to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema.