Adam Pendleton Love Queen
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David Adjaye Adam Pendleton
A dialogue of materials and process, space and language, architecture and art This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio.
On the Museum's Ruins
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
Kerry James Marshall
The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society. This is the most comprehensive overview available of his remarkable career.