Across The Obelisk Dark Build
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Howling Dark
Author: Christopher Ruocchio
language: en
Publisher: Astra Publishing House
Release Date: 2019-07-16
Now in paperback, the second novel of the galaxy-spanning Sun Eater series merges the best of space opera and epic fantasy, as Hadrian Marlowe continues down a path that can only end in fire. Hadrian Marlowe is lost. For half a century, he has searched the farther suns for the lost planet of Vorgossos, hoping to discover a way to contact the elusive alien Cielcin. He has pursued false leads for years among the barbarian Normans as captain of a band of mercenaries, but Hadrian remains determined to make peace and bring an end to nearly four hundred years of war. Desperate to find answers, Hadrian must venture beyond the security of the Sollan Empire and among the Extrasolarians who dwell between the stars. There, he will face not only the aliens he has come to offer peace, but contend with creatures that once were human, with traitors in his midst, and with a meeting that will bring him face to face with no less than the oldest enemy of mankind. If he succeeds, he will usher in a peace unlike any in recorded history. If he fails, the galaxy will burn.
The Black Skyscraper
How did writers and artists view the intersection of architecture and race in the modernist era? Winner of the MSA First Book Prize of the Modernist Studies Association With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex—reducing bodies to specks—to the shadowy mega-blocks it formed at street level, the skyscraper called attention, Brown argues, to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
The Storms of Eternity
Mike Rhoades, Reese Patterson, Josh Carter and his twin sister Jen are inseparable friends, but they each have a secret they cannot share with the others. All that changes, however, during a sailing trip down the Alaskan coast, when they are struck by a violent storm. After the winds clear, the friends find themselves lost in a nightmare landscape where clouds cover the Earth with eternal darkness; roaming gangs stalk the unending night seeking victims, and two militant factions battle to rule the devastated land by any means necessary. Mike, Reese, Josh and Jen are caught up in a fight for their lives, freedom, and their very humanity as they are drawn towards the inhuman being that has brought them into this apocalyptic future...for its own enigmatic plans.