Acoustics Sound Fields Transducers And Vibration
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Acoustics: Sound Fields, Transducers and Vibration
Acoustics: Sound Fields, Transducers and Vibration, Second Edition guides readers through the basics of sound fields, the laws governing sound generation, radiation, and propagation, and general terminology. Specific sections cover microphones (electromagnetic, electrostatic, and ribbon), earphones, and horns, loudspeaker enclosures, baffles and transmission lines, miniature applications (e.g. MEMS microphones and micro speakers in tablets and smart phones), sound in enclosures of all sizes, such as school rooms, offices, auditoriums and living rooms, and fluid-structure interaction. Numerical examples and summary charts are given throughout the text to make the material easily applicable to practical design. New to this edition: - A chapter on electrostatic loudspeakers - A chapter on vibrating surfaces (membranes, plates, and shells) Readers will find this to be a valuable resource for experimenters, acoustical consultants, and to those who anticipate being engineering designers of audio equipment. It will serve as both a text for students in engineering departments and as a valuable reference for practicing engineers. - Provides detailed acoustic fundamentals, enabling better understanding of complex design parameters, measurement methods and data - Extensive appendices cover frequency-response shapes for loudspeakers, mathematical formulas and conversion factors
Acoustics: Sound Fields and Transducers
Acoustics: Sound Fields and Transducers is a thoroughly updated version of Leo Beranek's classic 1954 book that retains and expands on the original's detailed acoustical fundamentals while adding practical formulas and simulation methods. Serving both as a text for students in engineering departments and as a reference for practicing engineers, this book focuses on electroacoustics, analyzing the behavior of transducers with the aid of electro-mechano-acoustical circuits. Assuming knowledge of electrical circuit theory, it starts by guiding readers through the basics of sound fields, the laws governing sound generation, radiation, and propagation, and general terminology. It then moves on to examine: - Microphones (electrostatic and electromagnetic), electrodynamic loudspeakers, earphones, and horns - Loudspeaker enclosures, baffles, and waveguides - Miniature applications (e.g., MEMS in I-Pods and cellphones) - Sound in enclosures of all sizes, such as school rooms, offices, auditoriums, and living rooms Numerical examples and summary charts are given throughout the text to make the material easily applicable to practical design. It is a valuable resource for experimenters, acoustical consultants, and to those who anticipate being engineering designers of audio equipment. - An update for the digital age of Leo Beranek's classic 1954 book Acoustics - Provides detailed acoustic fundamentals, enabling better understanding of complex design parameters, measurement methods, and data - Extensive appendices cover frequency-response shapes for loudspeakers, mathematical formulas, and conversion factors
The Routledge Companion to the Sound of Space
Author: Emma-Kate Matthews
language: en
Publisher: Taylor & Francis
Release Date: 2024-11-11
This companion explores a range of conceptual and practical relationships between sound and space across various disciplines, providing insights from technical, creative, cultural, political, philosophical, psychological, and physiological perspectives. The content spans a wide range of spatial typologies, from large reverberant buildings to modest and intimate ones, from external public squares to domestic interiors, and from naturally formed environments to highly engineered spaces. These compiled insights and observations explore the vast diversity of ways in which sonic and spatial realms interact. This publication therefore forms important bridges between the intricate and diverse topics of technology, philosophy, composition, performance, and spatial design, to contemplate the potential of sound and space as tools for creative expression and communication, as well as for technical innovation. It is hoped that by sharing these insights, this book will inspire practitioners, scholars, and enthusiasts to incorporate new perspectives and methodologies into their own work. Through a rich blend of theory, practice, and critical reflection, this volume serves as a valuable resource for anyone interested in exploring the intricacy of relationships between space and sound, whether they are students, professionals, or simply curious. Our companion provides a cross-section through shared territories between sonic and spatial disciplines from architecture, engineering, sound design, music composition and performance, urban design, product design, and much more.