A Revolution In Colour
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A Revolution in Colour
Author: Giorgio Riello
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-09-19
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe ́s cultural heritage.
The Colour Revolutions in the Former Soviet Republics
During the first decade of the 21st century, a remarkable phenomenon swept through the former Soviet Union changing the political, social and cultural landscape. Popularly known as the ‘Colour Revolutions’, these non-violent protests overthrew autocratic regimes in three post-soviet republics: the Georgian Rose Revolution (2003), the Ukrainian Orange Revolution (2004) and the Kyrgyzstani Tulip Revolution (2005). This book examines the significance of these regime-change processes for the post-soviet world in particular and for global politics in the 21st century. Engaging comprehensively with the former Soviet republics, the contributors to this book ask why there wasn’t a revolution in a post-Soviet republic such as Russia, despite apparently favourable conditions. They also explore the circumstances that ensured some post-soviet countries underwent a successful colour revolution whilst others did not. Identifying the conditions for successful colour revolutions, this book asks whether there is a revolutionary blueprint that may be exported to other areas around the world that are under autocratic rule. Carefully considering the ideologies of the post-Soviet ruling regimes, this book demonstrates the manner by which political elites integrated nationalism, authoritarianism and populism into public debates. It analyzes the diverse anti-regime movements, discussing the factors that led to the rise of such factions and outlining how these opposition groups were constituted and operated. In addition, it assesses the impact of external forces including the influence of the USA, the EU and Russia. By examining the colour revolution phenomenon in its entirety, this book marks a significant contribution to both our micro and macro understanding of this tide of transformation.
The World According to Colour
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'