A Real American Character

A Real American Character

Walter Brennan (1894–1974) was one of the greatest character actors in Hollywood history. He won three Academy Awards and became a national icon starring as Grandpa in The Real McCoys. He appeared in over two hundred motion pictures and became the subject of a Norman Rockwell painting, which celebrated the actor's unique role as the voice of the American Western. His life journey from Swampscott, Massachusetts, to Hollywood, to a twelve thousand-acre cattle ranch in Joseph, Oregon, is one of the great American stories. In the first biography of this epic figure, Carl Rollyson reveals Brennan's consummate mastery of virtually every kind of role while playing against and often stealing scenes from such stars as Gary Cooper, Humphrey Bogart, and John Wayne. Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character. Written with the full cooperation of the Brennan family and drawing on material in archives from every region of the United States, this new biography presents an artist and family man who lived and breathed an American idealism that made him the Real McCoy.

The Jew in the American War Novel

This is the first book of its kind to provide an analysis of the representation of Jews in American war novels throughout the long twentieth century. This study delineates the intricate relationship between Jews and wars. Are Jews depicted as draft dodgers or heroes in American war fiction? How do Jewish soldiers cope with anti-Semitism in war novels? Do Jewish women contribute to the war effort? Addressing these questions, among others, this book analyzes texts, some of which have been overlooked by critics and some by well-known authors, such as Ernest Hemingway and Philip Roth, in order to trace the changes in the perception of Jews in relation to war. Scrutinizing themes such as blood and masculinity, The Jew in the American War Novel argues that the depiction of the Jew is characterized by progression and then regression; in war novels published shortly after WWI, non-Jews see Jews as draft evaders who lack masculinity. After WWII, Jews began to be seen as contributing to the warfare. However, toward the end of twentieth century, reflecting the reemergence of prevalent anti-Semitism, Jews are once again seen as disloyal, resulting in a clash between the sense of Jewish and American identities.

Brownson's Review