A History Of English Prose Rhythm
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A History of English Prose Rhythm
This scholarly exploration of meter and rhythm begins with ancient Greece and Rome; moving through Old and Middle English; Chaucer; the ornate and plain styles; Edmund Burke; the great novelists of the nineteenth century such as Austen, Dickens, and Thackeray; the lyrical prose of John Ruskin; and more. It is one of the very few full-length studies of prose rhythm.
A History of English Prose Rhythm (Classic Reprint)
Excerpt from A History of English Prose Rhythm Now, on the possibility, and still more on the use, of this latter, in regard to the majority of subjects, I am something of a sceptic; and even when I acknowledge the felicity of knowing the causes of things, I think it well to know the things themselves first. I do not, however, intend to neglect theory altogether, and some generalising suggestions will be found in the Interchapters which summarise the successive Periods, as well as in the Conclusion, and especially in Appendix III. But I wish chiefly to bring out the facts of this interesting and much neglected matter; and to indicate the additional delecta tion which attends the study of them. To sport with Amaryllis (if Amaryllis be poetry) may be best but there remains a Neara in prose, and the tangles of her hair are not to be despised by the sportsman-lover. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.