A Comparative Study Of The Indian Poetics And The Western Poetics


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A Comparative Study of the Indian Poetics and the Western Poetics


A Comparative Study of the Indian Poetics and the Western Poetics

Author: Mohit Kumar Ray

language: en

Publisher: Sarup & Sons

Release Date: 2008


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Indian and Western Aesthetics in Sri Aurobindo’s Criticism, A Comparative Study


Indian and Western Aesthetics in Sri Aurobindo’s Criticism, A Comparative Study

Author: Dr. Ujjwala Kakarla

language: en

Publisher: Zorba Books

Release Date: 2017-07-21


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The book Indian and Western Aesthetics in Sri Aurobindo’s Criticism is a comparative study of Indian and western aesthetics. It depicts the beauty of evolution of multiplicity of theories to vastness of concepts postulated by different literary theoreticians. Moreover, it gives a keen insight into Sri Aurobindo’s aesthetics. His criticism has given the complete synthesis of Indian poetic theories which have striking parallels to modern Western literary theories. He is one of the greatest literary critics who recovered the salient principles of ancient Indian aesthetics and their potentialities. His aesthetics accommodated many modern trends on the foundation of Indian culture that is going to be the mantra of new civilization.

The Pursuit of Comparative Aesthetics


The Pursuit of Comparative Aesthetics

Author: Mazhar Hussain

language: en

Publisher: Routledge

Release Date: 2017-03-02


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Comparative aesthetics is the branch of philosophy which compares the aesthetic concepts and practices of different cultures. The way in which cultures conceive of the aesthetic dimension of life in general and art in particular is revelatory of profound attitudes and beliefs which themselves make up an important part of the culture in question. This anthology of essays by internationally recognised scholars in this field brings into one volume some of the most important research in comparative aesthetics, from classic early essays to previously unpublished contemporary pieces. Ranging across cultures and time periods as diverse as ancient Greece, India and China and the modern West and Japan, the essays reveal both similarities and deep differences between the aesthetic traditions concerned. In the course of these expositions and comparisons there emerges the general conclusion that no culture can be fully grasped if its aesthetic ideas are not understood.