99 Names Of Allah Geometric Calligraphy Of Allah S Names


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99 Names of Allah: Geometric Calligraphy of Allah's Names


99 Names of Allah: Geometric Calligraphy of Allah's Names

Author: Patricia Nyma

language: en

Publisher: Independently Published

Release Date: 2019-02-20


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The 99 Names Of AllahGet this notebook/journal with the names of Allah on the cover. It has 120 single ruled white pages. It is also 6x9" making it easy to carry or fit in a bag.

The Ninety-nine Beautiful Names of God


The Ninety-nine Beautiful Names of God

Author: Ghazzālī

language: en

Publisher:

Release Date: 1992


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In this work, here presented in a complete English edition for the first time, the problem of knowing God is confronted in an original and stimulating way. Taking up the Prophet's teaching that 'Ninety-nine Beautiful Names' are truly predicated of God, Ghazali explores the meaning and resonance of each of these divine names, and reveals the functions they perform both in the cosmos and in the soul of the spiritual adept. Although some of the book is rigorously analytical, the author never fails to attract the reader with his profound mystical and ethical insights, which, conveyed in his sincere and straightforward idiom, have made of this book one of the perennial classics of Muslim thought, popular among Muslims to this day. This volume won a British Book Design and Production Award in 1993.

The Topkapi Scroll


The Topkapi Scroll

Author: Gülru Necipoğlu

language: en

Publisher: Getty Publications

Release Date: 1996-03-01


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Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.