9 X 9 Eine Methodes Des Entwerfens
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9 x 9 – Eine Methode des Entwerfens
Ein idealer Entwurf ist ortsspezifisch und ermöglicht nur so den Bau identitätsstiftender Architektur. Dies erfordert die Auseinandersetzung mit den baulichen und örtlichen Gegebenheiten. Das am Lehrstuhl von Dietmar Eberle entwickelte Methodenbuch bietet eine spielerische Möglichkeit, die komplexen Rahmenbedingungen systematisch zu erfassen und für den eigenen Entwurf zu nutzen. Die „Methode 9x9“ bezieht alle relevanten Faktoren und ihre wechselweise Wirkung mit in die Betrachtung ein: Ort, Struktur, Hülle, Programm und Materialität, die in einer Matrix mit diversen Kreuzungen exakt 9 „Handlungsfelder“ für den Entwurf ergeben. Die einzelnen „Felder“ sind dabei nicht nur visuell mit aussagekräftigen und einprägsamen Abbildungen ausgestattet, sondern jeweils von führenden Spezialisten in anschaulichen Texten beschrieben. Für das Buch wurde die „Methode 9x9“ komplett neu entwickelt und grafisch dargestellt. Autoren: Florian Aicher, Jia Beisi, Adam Caruso, Dietmar Eberle, Franziska Hauser, Vittorio Magnago Lampugnani, Michele Lanza, Arno Lederer, Silvain Malfroy, Adrian Meyer, Marcello Nasso, Fritz Neumeyer, András Pálffy, Miroslav Šik, Laurent Stalder, Eberhard Tröger.
Finishing in Architecture
Finishing in Architecture: Polishing, Completing, Ending explores the topic of finishing and the fascinating physical and metaphysical implications of its various conceptions in architecture. Finishing is essential to all human practices and concepts of time, yet simultaneously it is largely impossible to identify an entirely finished state of being. As mortals, we organize our worlds into beginnings and endings, starts and finishes. Architecture’s temporality, however, may contain something of both the mortal and immortal within it – a desire for permanence combined with lamentation over its impossibility. While many approaches to finishing construct two opposed ontological conditions (the finished and the unfinished), this dualistic ploy neglects the complexity of architectural practice, cultural reception, and historiographic shifts in semiotics during the lifetime of a building. More nuanced approaches are examined in this collection of 38 essays and creative works from a diverse group of scholars, architects, and artists who conceptualize finishing not simply as a final outcome, but as an extended action, a mood that presumes an end is near, all the while working continuously toward (but never achieving) completion. It is here that the concept of finishing is not a state of being but a state of becoming, as an active thickening of time when the end is thought to be imminent but not yet attained. Finishing, more than a final endpoint, is a void state that is extended through efforts framing its territory, while never quite containing it. From the material to the procedural and the conceptual, this volume explores the practices of finishing in architecture within three currents: surfaces, projects, and most broadly, architectural times. It will be of interest to students and instructors of architecture and design, architectural historians, and other scholars.
In Samuel's Image
This study is about the multitude of early medieval children donated 'to God in the monastery'. It puts child oblation in the context of contemporary gift-giving practices, providing in-depth treatment of the oblation ritual and its social setting.