127 Hours
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127 Hours
A day-by-day account of Aron Ralston's unforgettable survival story. On Saturday, 26 April 2003, Aron Ralston, a 27-year-old outdoorsman and adventurer, set off for a day's hike in the Utah canyons. Eight miles from his truck, he found himself in the middle of a deep and remote canyon. Then the unthinkable happened: a boulder shifted and snared his right arm against the canyon wall. He was trapped, facing dehydration, starvation, hallucinations and hypothermia as night-time temperatures plummeted. Five and a half days later, Aron Ralston finally came to the agonising conclusion that his only hope was to amputate his own arm and get himself to safety. Miraculously, he survived. 127 Hours is more than just an adventure story. It is a brave, honest and above all inspiring account of one man's valiant effort to survive, and is destined to take its place among adventure classics such as Touching the Void.
Between a Rock and a Hard Place
"Icebound" meets "Into Thin Air" in this astonishing, day-by-day account of Ralston's terrible accident, self-amputation, and subsequent rescue and recovery. of full-color photos.
Palo Alto
Now a “provocative” and “impressive” (Variety) film from director Gia Coppola (Francis Ford Coppola’s granddaughter)—starring Emma Roberts, James Franco, Nat Wolff, and Val Kilmer—the fiction debut from James Franco that Vogue called “compelling and gutsy.” James Franco’s story collection traces the lives of a group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. In “Lockheed” a young woman’s summer—spent working a dull internship—is suddenly upended by a spectacular incident of violence at a house party. In “American History” a high school freshman attempts to impress a girl with a realistic portrayal of a slave owner during a classroom skit—only to have his feigned bigotry avenged. In “I Could Kill Someone,” a lonely teenager buys a gun with the aim of killing his high school tormentor, but begins to wonder about his bully’s own inner life. These “spare and riveting” (O, The Oprah Magazine) stories are a compelling portrait of lives on the rough fringes of youth. Palo Alto is, “a collection of beautifully written stories” (Kirkus Reviews, starred review) that “capture with perfect pitch the impossible exhilaration, the inevitable downbeatness, and the pure confusion of being an adolescent” (Elle). Features a bonus essay by James Franco on Gia Coppola's film adaptation.