Wrong Way Movie
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The Wrong Way Round to Ewan McGregor
This is the true story of two men becoming forty, one a famous film star, the other an unpublished writer. When Nathan Braund discovered Ewan McGregor was filming up the road from where he was living in Phuket, Thailand, he interpreted it as more than a coincidence. He planned to put his movie script into the hands of the Scottish star, even though he knew it was unprofessional to pester an A-list actor, particularly when they were working on a serious film about the 2004 tsunami. Sceptics would argue he was having a mid-life crisis but he felt it was a calling, the break he needed after all these years. Join him with his wife and two small children on a journey of discovery, as he tries and fails on countless occasions to meet Ewan before finally succeeding in approaching him with script in hand.
The French Road Movie
The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context – liberty, identity and citizenship, masculinity, femininity, border-crossing – followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.
Torture Porn in the Wake of 9/11
Author: Aaron Kerner
language: en
Publisher: Rutgers University Press
Release Date: 2015-04-24
Saw, Hostel, The Devil’s Rejects: this wave of horror movies has been classed under the disparaging label “torture porn.” Since David Edelstein coined the term for a New York magazine article a few years after 9/11, many critics have speculated that these movies simply reflect iconic images, anxieties, and sadistic fantasies that have emerged from the War on Terror. In this timely new study, Aaron Kerner challenges that interpretation, arguing that “torture porn” must be understood in a much broader context, as part of a phenomenon that spans multiple media genres and is rooted in a long tradition of American violence. Torture Porn in the Wake of 9/11 tackles a series of tough philosophical, historical, and aesthetic questions: What does it mean to call a film “sadistic,” and how has this term been used to shut down critical debate? In what sense does torture porn respond to current events, and in what ways does it draw from much older tropes? How has torture porn been influenced by earlier horror film cycles, from slasher movies to J-horror? And in what ways has the torture porn aesthetic gone mainstream, popping up in everything from the television thriller Dexter to the reality show Hell’s Kitchen? Reflecting a deep knowledge and appreciation for the genre, Torture Porn in the Wake of 9/11 is sure to resonate with horror fans. Yet Kerner’s arguments should also strike a chord in anyone with an interest in the history of American violence and its current and future ramifications for the War on Terror.