Work And The Image
Download Work And The Image PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Work And The Image book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Content-based Microscopic Image Analysis
In this dissertation, novel Content-based Microscopic Image Analysis (CBMIA) methods, including Weakly Supervised Learning (WSL), are proposed to aid biological studies. In a CBMIA task, noisy image, image rotation, and object recognition problems need to be addressed. To this end, the first approach is a general supervised learning method, which consists of image segmentation, shape feature extraction, classification, and feature fusion, leading to a semi-automatic approach. In contrast, the second approach is a WSL method, which contains Sparse Coding (SC) feature extraction, classification, and feature fusion, leading to a full-automatic approach. In this WSL approach, the problems of noisy image and object recognition are jointly resolved by a region-based classifier, and the image rotation problem is figured out through SC features. To demonstrate the usefulness and potential of the proposed methods, experiments are implemented on di erent practical biological tasks, including environmental microorganism classification, stem cell analysis, and insect tracking.
Performing Image
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.
Image and Territory
Author: Monique Tschofen
language: en
Publisher: Wilfrid Laurier Univ. Press
Release Date: 2006-10-01
In a culture that often understands formal experimentation or theoretical argument to be antithetical to pleasure, Atom Egoyan has nevertheless consistently appealed to wide audiences around the world. If films like The Adjuster, Calendar, Exotica, and The Sweet Hereafter have ensured him international cult status as one of the most revered of all contemporary directors, Egoyan’s forays into installation art and opera have provided evidence of his versatility and confirmed his talents. Image and Territory: Essays on Atom Egoyan is both scholarly and accessible. Indispensable for the scholar, student, and fan, this collection of new essays and interviews from leading film and media scholars unpacks the central arguments, tensions, and paradoxes of his work and traces their evolution. It also locates his work within larger intellectual and artistic currents in order to consider how he takes up and answers critical debates in politics, philosophy, and aesthetics. Most importantly, it addresses how his work is both intellectually engaging and emotionally moving.