Where Does Honey I M Home Come From
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Honey, I'm Home!
Gerard Jone's Honey, I'm Home! has been widely acclaimed as the premier primer on America's Morality Plays-the TV situation comedies that have chained us to our Barcaloungers ever since Lucy first bawled her way into our hearts. Recalling the best and worst the sitcoms have had to offer, Jones recreates their atmosphere and their times with wisdom and style; paralleling the memory-lane trip is his shrewd and provocative assessment of the sitcom's influence on modern society. From Farther Knows Best to Married...with Children, from the empty calories of The Brady Bunch to the social commentary of All in the Family, Honey, I'm Home! is a connoisseur's guide to the sitcom world-where everybody knows your name, and any problem can be solved in twenty-two minutes, plus commercials.
Hi Honey, I'm Home
Instead of finding her boss and his wife at her front door, Kathryn Sinclair finds herself face-to-face with her supposedly deceased husband! An obsessive journalist who put his job before everything else, Nick Egan was reportedly killed in a terrorist attack five years ago. But there he stands, as impressive as ever, ready to take up where they left off. Well, Kathryn isn't interested! But Nick and their precocious boys have other ideas. They're determined to prove to Kate that God has truly changed Nick's heart-no matter what it takes.
365 Days / 365 Plays
Author: Suzan-Lori Parks
language: en
Publisher: Theatre Communications Group
Release Date: 2006-11-01
“Suzan-Lori Parks is one of the most important dramatists America has produced.”—Tony Kushner “The plan was that no matter what I did, how busy I was, what other commitments I had, I would write a play a day, every single day for a year. It would be about being present and being committed to the artistic process every single day, regardless of the ‘weather.’ It became a daily meditation, a daily prayer celebrating the rich and strange process of a writing life.”—Suzan-Lori Parks On November 13, 2002, the incomparable Suzan-Lori Parks got an idea to write a play every day for a year. She began that very day, finishing one year later. The result is an extraordinary testament to artistic commitment. This collection of 365 impeccably crafted pieces, each with its own distinctive characters and dramatic power, is a complete work by an artist responding to her world, each and every day. Parks is one of the American theater’s most wily and innovative writers, and her “stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous” (TIME).