What She Did Was Immature And Classless
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Devotion
A beautifully illustrated book-length publication on the contemporary artist and Academy Award–nominated filmmaker Garrett Bradley, whose quietly devastating work blurs the space between fact and fiction. Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley’s work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley’s films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life—its joys, pleasures, and pains—are lyrically and intimately rendered on screen.
Profiles and Plotlines
Author: Katherine D. Johnston
language: en
Publisher: University of Iowa Press
Release Date: 2023-06-06
Watching the Watchers: Metadata and Feminist Metafiction in Jennifer Egan's A Visit from the Goon Squad -- Out of Line: Affective Counterstrategies to Racializing Surveillance and Profile Epistemology in Claudia Rankine's Citizen -- 'Both a Gift and a Trap': Speculative Surveillance and Labor in William Gibson's Pattern Recognition -- Data Fictions, Neoliberal Narratives, and the Military-Industrial Gaze in Mohsin Hamid's How to Get Filthy Rich in Rising Asia -- Conclusion: Amazon, Authorship and Algorithmic Governance.
Citizen
WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY In this moving, critical and fiercely intelligent collection of prose poems, Claudia Rankine examines the experience of race and racism in Western society through sharp vignettes of everyday discrimination and prejudice, and longer meditations on the violence - whether linguistic or physical - which has impacted the lives of Serena Williams, Zinedine Zidane, Mark Duggan and others. Awarded the National Book Critics Circle Award for Poetry in America after becoming the first book in the prize's history to be a finalist in both the poetry and criticism categories, Citizen weaves essays, images and poetry together to form a powerful testament to the individual and collective effects of racism in an ostensibly "post-race" society.