What Is The Notebook About
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The Notebooks of Robert Frost
Author: Robert Frost
language: en
Publisher: Harvard University Press
Release Date: 2007-01-01
During his lifetime, Robert Frost notoriously resisted collecting his prose--going so far as to halt the publication of one prepared compilation and to "lose" the transcripts of the Charles Eliot Norton Lectures he delivered at Harvard in 1936. But for all his qualms, Frost conceded to his son that "you can say a lot in prose that verse won't let you say," and that the prose he had written had in fact "made good competition for [his] verse." This volume, the first critical edition of Robert Frost's prose, allows readers and scholars to appreciate the great American author's forays beyond poetry, and to discover in the prose that he did make public--in newspapers, magazines, journals, speeches, and books--the wit, force, and grace that made his poetry famous. The Collected Prose of Robert Frost offers an extensive and illuminating body of work, ranging from juvenilia--Frost's contributions to his high school Bulletin--to the charming "chicken stories" he wrote as a young family man for The Eastern Poultryman and Farm Poultry, to such famous essays as "The Figure a Poem Makes" and the speeches and contributions to magazines solicited when he had become the Grand Old Man of American letters. Gathered, annotated, and cross-referenced by Mark Richardson, the collection is based on extensive work in archives of Frost's manuscripts. It provides detailed notes on the author's habits of composition and on important textual issues and includes much previously unpublished material. It is a book of boundless appeal and importance, one that should find a home on the bookshelf of anyone interested in Frost.
The Notebook
A New Yorker Book of the Year 2024 A Ryan Holiday '(Very) Best Book I Read in 2024' 'Excellent' Ian Samson, TLS 'From plans for flying machines to philosophy - the remarkable joy of jotting things down' Guardian 'Surprisingly revealing' The Sunday Times We see notebooks everywhere we go. But where did this simple invention come from? How did they revolutionise our lives, and why are they such powerful tools for creativity? And how can using a notebook help you change the way you think? In this wide-ranging story, Roland Allen reveals all the answers. Ranging from the bustling markets of medieval Florence to the quiet studies of our greatest thinkers, he follows a trail of dazzling ideas, revealing how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of artists like Leonardo and Frida Kahlo, scientists from Isaac Newton to Marie Curie, and writers from Chaucer to Henry James. We watch Darwin developing his theory of evolution in tiny pocketbooks, see Agatha Christie plotting a hundred murders in scrappy exercise books, and learn how Bruce Chatwin unwittingly inspired the creation of the Moleskine. On the way we meet a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers and mathematicians, who all used their notebooks as a space for thinking and to shape the modern world.
The Notebooks of Samuel Taylor Coleridge
During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 to 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the reader. Included here are drafts and full versions of the later poems. Many passages reflect the theological interests that led to Coleridge's writing of Aids to Reflection, later to become an important source for the transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in 'the theory of life' and in chemistry - the laboratory chemistry of the Royal Institute and the theoretical chemistry of German transcendentalists such as Oken, Steffens, and Oersted.