Walking Through Clear Water In A Pool Painted Black Review
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Walking Through Clear Water in a Pool Painted Black, new edition
The first collected edition of legendary writer, actress, and adventurer Cookie Mueller's stories, featuring the entire contents of her 1990 book Walking through Clear Water in a Pool Painted Black, alongside more than two dozen others, some previously unpublished. Legendary as an underground actress, female adventurer, and East Village raconteur, Cookie Mueller's first calling was to the written word: "I started writing when I was six and have never stopped completely," she once confessed. Muellerís 1990 Walking through Clear Water in a Pool Painted Black, the first volume of the Semiotext(e) Native Agents series, was the largest collection of stories she compiled during her life. But it presented only a slice of Mueller's prolific work as a writer. This new, landmark volume collects all of Mueller's stories: from the original contents of Clear Water, to additional stories discovered by Amy Scholder for the posthumous anthology Ask Dr. Mueller, to selections from Mueller's art and advice columns for Details and the East Village Eye, to still "new" stories collected and published here for the first time. Olivia Laing's new introduction situates Mueller's writing within the context of her life—and our times. Thanks to recent documentaries like Mallory Curley's A Cookie Mueller Encyclopedia and Chloé Griffin's oral biography Edgewise, Mueller's life and work have been discovered by a new generation of readers. Walking through Clear Water in a Pool Painted Black: Collected Stories returns essential source material to these readers, the archive of Mueller's writing itself. Mueller's many mise en scènes—the Baltimore of John Waters, post-Stonewall Provincetown, avant-garde Italy, 1980s New York, an America enduring Reagan and AIDS—patches together a singular personal history and a primer for others. As Laing writes in her introduction, Collected Stories amounts to "a how-to manual for a life ricocheting joyously off the rails . . . a live corrective to conformity, conservatism, and cruelty."
Fish Out of Agua:
A voice from the loudspeaker blared, "Will the family who brought the little redheaded white girl to the Puerto Rican Day parade please come to the bandstand to pick her up." I looked around. Wait a minute. I am at the bandstand. I am that lost girl! Michele Carlo, a redheaded, freckle-faced Puerto Rican raised in the Polish section of the Bronx, grew up as a permanent outsider. Too white for her proud, Spanish-speaking relatives and a mystery to her schoolmates, Michele braved a search for identity that was a long, rough and tumble ride. . . By turns heartbreaking and humorous, she recalls the family calamities, fumblings of first love, and all the people and events that shaped her. From her "playground battlefield" in the not-so-wholesome summer of '69 to many adrenaline-fueled, graffiti-filled afternoons and her emergence as an artist with a unique and alluring voice, Michele's story is an homage to a New York City gone by. . .and an iconically American, unforgettable portrait of growing up. "
Perfect Reader
Flora Dempsey is the headstrong only child of Lewis Dempsey, a college professor and world famous critic. When Lewis passes away, Flora returns to her New England hometown to act as his literary executor. There, she finds herself responsible for a manuscript that he was secretly writing at the end of his life—love poems to a girlfriend Flora didn't know he had. As Flora is besieged by well-wishers and literary vultures alike, she tries to figure out how to navigate it all: the fate of the poems, the girlfriend who wants a place in her life, the wounds left by her parents’ divorce, and her uncertain future. Brimming with energy, humor, and the elbow-patchy wisdom of Flora’s still-vivid father, this enchanting debut is the uplifting story of a young woman striving to become the “perfect reader” of her father’s life, as well as her own.