Voicing The Word
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The Timing of Voicing in British English Obstruents
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Echo's Voice
Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.
The Voice, the Word, the Books
Author: F. E. Peters
language: en
Publisher: Princeton University Press
Release Date: 2007-04-23
An important new work on the authoritative texts of the Abrahamic religious traditions, Peters has written a comparative study of the three major Western faiths by examining scripture--Jewish, Christian, and Muslim--from every conceivable angle.