Vn Code Event

Summary of Principal Events in the History of Vietnam

Argument Realisation in Complex Predicates and Complex Events

This book offers a comprehensive investigative study of argument realisation in complex predicates and complex events at the syntax-semantic interface across a wide variety of the world’s languages, ranging over languages such as German, Irish, Sicilian and Italian, Lithuanian, Estonian and other Finno-Ugric languages, Pitjantjatjara, Yankunytjatjara and Ngaanyatjarra from Australia’s Western Desert region, Japanese, Tepehua (Totonacan, Mexico), Cheyenne, Mexican Spanish, Boharic Coptic, and Persian. This volume examines the syntactic variation of complex events, complex predicates and multi-verb constructions within a single clause where the clause is view as representing a single event, studying their semantics and syntax within functional, cognitive and constructional frameworks, to arrive at a better understanding of their cross linguistic behaviour and how they resonate in syntax. These constructions manifest considerable variability in cross-linguistic comparisons of complex predicate formation. In European languages, for example, typically one of the verbs in a verb-verb construction highlights a phase of an underspecified event while the matrix verb specifies the actual event. In contrast, serial verbs require each verb to provide a sub-event dimension within a complex event that is viewed holistically as unitary in syntax. This book contributes to an understanding of complex events, complex predicates and multi-verb constructions across languages, their syntactic constructional patterns and argument realisation.

The Wars We Took to Vietnam

What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period. Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson. As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories. What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation,