Violated Meaning In Tamil

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Tamil Dalit Feminist Poetics

Author: Pramila Venkateswaran
language: en
Publisher: Rowman & Littlefield
Release Date: 2024-09-23
Tamil Dalit feminist poetry occurs in the nexus of caste demands and literary expectations based on Tamil “high culture,” as set in the literary conventions of both classical and contemporary aesthetics. Tamil Dalit feminist poets and their allies challenge literary expectations set for women poets as well as caste stigma. In Tamil Dalit Feminist Poetics: Resistance, Power, and Solidarity, Pramila Venkateswaran argues that Dalit poets Sukirtharani, Arangamallika, Umadevi, Meena Kandasamy, and Tamil feminist allies, such as Malathi Maitri and Kutty Revathi, challenge the literary tradition of Tamil poetry by presenting their radical poems on themes based on their experience and witnessing the trauma of violence on Dalit women’s bodies, thus placing caste and gender at the center of their work. They assert their subjectivity, offering us a feminist poetics that is rich with insights on the Dalit body, spirituality, music, culture, Dalit connection to land, and democracy. Their poems theorize women’s experiences, using metaphor, symbol, folk idioms, as well as satire and irony to express feminist connectedness to all spheres of life. Replete with anti-caste resistance of language, form, and content, Tamil Dalit feminist poets reframe both feminism and contemporary Tamil poetry. Thus, Dalit feminist poetry and other cultural productions are vehicles for solidarity and democracy.
Tamil Heroic Poetry

An elegant and thorough examination of the riches of Sangam poetry In this acclaimed comparative study, K. Kailasapathy, the celebrated Sri Lankan academic and critic, introduces and interprets ancient Tamil poems and examines the stylistic heritage, themes and motifs pervading Sangam poetry while building the literary corpus's bridge to heroic poetry in other languages - most notably Greek. He identifies the formulaic expression, stock phrases and overarching sensibilities pervasive in the poems and, going much against the popular grain, expands on the notion that oral verse-making is central to Sangam poetry. A nod to Milman Parry, this deeply necessary exploration of our neglected past is an engaging and accessible discourse on one of our most fertile literary ages and, with much agility, connects the dots in studying early Tamil poetry for a modern reader.