Valhalla Meaning


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Myths and Legends


Myths and Legends

Author: Philip Wilkinson

language: en

Publisher: Dorling Kindersley Ltd

Release Date: 2009-07-01


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Explore the world's great myths and legends, brought to life in this enthralling retelling of age-old stories passed down from generation to generation From the heroes of Ancient Greece to The Dreaming of Australian aborigines, here are the myths that, thousands of years after they were first told, are still relevant today. Unravel the meaning and context behind the myths, understand their cultural significance and discover the characters and themes. Famous artworks and artefacts exploring scenes from myths are explored and annotated revealing the symbolism and meaning behind them.

The Life and Times of Erik the Red


The Life and Times of Erik the Red

Author: Earle Rice Jr.

language: en

Publisher: Mitchell Lane

Release Date: 2019-12-05


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Few people recall the name of Eirik Thorvaldsson, who began life in Jaederen, Norway, around 950. When he was nine years old, his father killed a manor maybe twoand was forced to flee with his family to Iceland. Young Eirik grew up in the harsh environs of that wind-swept isle in the North Atlantic. Harsh lands breed harsh men, and Eirik fit the mold. Like his father before him, he battled with neighbors and killed several men in blood feuds. Banished from Iceland for three years, he sailed west to seek refuge in an unexplored land. After three years in exile, Eirik returned to Iceland with tales of his discoveries in that new land to the west. He called it Greenland to entice others to join him there. Around 985, he sailed west again from Iceland with twenty-five ships of colonists. History records him as the founder of the first European settlement in Greenland and the father of Leif Eriksson. People remember him best as Erik the Red.

Wagner's Ring Cycle and the Greeks


Wagner's Ring Cycle and the Greeks

Author: Daniel H. Foster

language: en

Publisher: Cambridge University Press

Release Date: 2010-02-04


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Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.