Time Is The Thing A Body Moves Through By T Fleischmann
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Time Is the Thing a Body Moves Through
W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.
Syzygy, Beauty
“In Syzygy, Beauty, T Fleischmann re-imagines the essay, creating a spare little book that reads like a collection of prose poems.” (David Ulin, Los Angeles Times) In Syzygy, Beauty, T Fleischmann builds an essay of prose blocks, weaving together observations on art, the narrator’s construction of a house, and a direct address to a lover. Playing with scale and repetition, we are kept off-center, and therefore always looking, as the speaker leads us through an intimate relationship that is complicated and deepened by multiple partners, gender transitions, and itinerancy. “A complex, tightly wound (and wounded) cri de coeur that is simultaneously accessible and intensely, cryptically personal.” —Minneapolis Star-Tribune “T Fleischmann’s Syzygy, Beauty shimmers with confidence as it tours the surreal chaos of gender, art, and desire . . . I hail its weirdness, its ‘armpit frankess,’ its indelible portrait of occulted relation, and above all, its impeccable music.” —Maggie Nelson, author of The Argonauts “This distinctive debut traces ‘the past made alight by impact’ through a diverse set of sources: film and carpentry analogies; interior monologues; references to artists Méret Oppenheim, Man Ray, Grayson Perry, and Louise Bourgeois; gnostic texts; and personal, yet ambiguous, disclosures.” —ForeWord Reviews “At its most basic, this unusual and engaging book describes the ins-and-outs of an unorthodox love affair, but it also functions as a sustained exploration of the ambiguities of love, gender, intimacy, and aesthetic possibilities.” —Publishers Weekly
Thousands
Praise for Lightsey Darst: "This is a vital poetry of the Deep South ripe with bones, blood and bogs, Snow Whites, Gretels and debutantes all stirred into a harrowing stew of lust, dusk and summer." —New York Times "A terrific collection. . . . Full of horror, bleak humor, and suspense, these poems read like mini-thrillers, daring you to put the book down." — Entertainment Weekly Desire & the page felt it. I told myself, something is happening. You could make weather happen then. Dear not only in dream life, dear never until storm.