Till We Have Faces Cupid Psyche The Story Behind The Myth
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Once We Were Sisters
This is the story of Maxine and Sheila Kohler, two sisters who grew up in the suffocating gentility of 1950s South Africa. When Maxine is just shy of her fortieth birthday her husband, a brilliant and respected surgeon, drives their car off the road and kills her. Devastated, Sheila returns to the country of her birth, haunted by questions. How had she failed to protect her sister? Was Maxine's death a matter of chance, or destiny? What lies in the soil of their troubled motherland that condemns its women to such violence?
Bareface
Author: Doris T. Myers
language: en
Publisher: University of Missouri Press
Release Date: 2018-01-29
C. S. Lewis wanted to name his last novel “Bareface.” Now Doris T. Myers’s Bareface provides a welcome study of Lewis’s last, most profound, and most skillfully written novel, Till We Have Faces. Although many claim it is his best novel, Till We Have Faces is a radical departure from the fantasy genre of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been less popular than Lewis’s earlier works. In Bareface, Myers supplies background information on this difficult work and suggests reading techniques designed to make it more accessible to general readers. She also presents a fresh approach to Lewis criticism for the enjoyment of specialists. Previous studies have often treated the novel as mere myth, ignoring Lewis’s effort to present the story of Cupid and Psyche as something that could have happened. Myers emphasizes the historical background, the grounding of the characterizations in modern psychology, and the thoroughly realistic narrative presentation. She identifies key books in ancient and medieval literature, history, and philosophy that influenced Lewis’s thinking as well as pointing out a previously unnoticed affinity with William James. From this context, a clearer understanding of Till We Have Faces can emerge. Approached in this way, the work can be seen as a realistic twentieth-century novel using modernist techniques such as the unreliable narrator and the manipulation of time. The major characters fit neatly into William James’s typology of religious experience, and Orual, the narrator-heroine, also develops the kind of personal maturity described by Carl Jung. At the same time, both setting and plot provide insights into the ancient world and pre-Christian modes of thought. Organized to facilitate browsing according to the reader’s personal interests and needs, this study helps readers explore this complex and subtle novel in their own way. Containing fresh insights that even the most experienced Lewis scholar will appreciate, Bareface is an accomplishment worthy of Lewis’s lifelong contemplation.
Reason and Imagination in C.S. Lewis
Author: Peter J. Schakel
language: en
Publisher: William B. Eerdmans Publishing Company
Release Date: 1984
This is a print on demand book and is therefore non- returnable. The first study of C. S. Lewis to offer a detailed examination of Till We Have Faces, Peter J. Schakel's new book is also the first to explore the tension between reason and imagination that significantly shaped Lewis's thinking and writing. Schakel begins with a close analysis of Till We Have Faces which leads the reader through the plot, clarifying its themes as it discusses structure, symbols, and allusions. The second part of the book surveys Lewis's works, tracing the tension between reason and imagination. In the works of the thirties and forties reason is in the ascendant; from the early fifties on, in works such as the Chronicles of Narnia, there is an increased emphasis on imagination -- which culminates in the fine "myth retold," Till We Have Faces. Imagination and reason are reconciled, finally, in works of the early sixties such as A Grief Observed and Letters to Malcolm.