Tidal Wave Movie
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Disaster Movies
Through detailed analysis of films such as The Towering Inferno, Independence Day, Titanic and The Day After Tomorrow, this book looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. Featuring new material on cinematic representations of disaster in the wake of 9/11 and how we might regard disaster movies in light of recent natural disasters, the volume explores the continual reworking of this previously undervalued genre.
Make Your Movie
This book is about how to work with people in the film industry, about who they are, what they do, and what they need. Most importantly for you, it is also about how to become one of them. Make Your Movie is a straightforward and comprehensive must-read for any aspiring filmmaker with an ounce or two of determination. With a down-to-earth, tell it like it is approach, the author offers insight through relatable, real-world experience and one-on-one interviews with working professionals who are already at the top of their game. Having an insider's understanding of the entire filmmaking process from start to finish, fundraising to distribution, is imperative and will allow you to anticipate and navigate avoidable setbacks. This clear and concise guide candidly describes what you need to know about both, the business and the politics of the industry to get your movie made.
Rewritten Movie Endings
Rewritten Movie Endings explores the pivotal role a film's conclusion plays in its lasting impact, dissecting movies with alternate finales and the reasons behind those crucial decisions. It delves into the complex interplay between artistic vision and commercial demands, revealing how studios, directors, and even test audiences shape a film's ultimate message. Did you know that some endings are altered to appease censors or boost box-office appeal? The book examines how these changes affect audience perception and critical evaluation, highlighting that a film's ending is not just a final scene but a defining element. This collection of essays embarks on a comprehensive study using studio archives, director's commentary, and critical analysis to uncover the motivations behind rewritten conclusions. The book analyzes films across genres and eras, presenting insightful case studies that illustrate the creative and commercial pressures at play. Beginning with an introduction to the concept of alternate endings, the book progresses through detailed examples, analyzing films where studio interference, test audience reactions, or director choices led to different conclusions, offering a fresh perspective on film studies and cultural history.