Through The Archway

Through the Arch

Through the Arch captures UGA's colorful past, dynamic present, and promising future in a novel way: by surveying its buildings, structures, and spaces. These physical features are the university's most visible--and some of its most valuable--resources. Yet they are largely overlooked, or treated only passingly, in histories and standard publications about UGA. Through text and photographs, this book places buildings and spaces in the context of UGA's development over more than 225 years. After opening with a brief historical overview of the university, the book profiles over 140 buildings, landmarks, and spaces, their history, appearance, and past and current usage, as well as their namesake, beginning with the oldest structures on North Campus and progressing to the newest facilities on South and East Campus and the emerging Northwest Quadrant. Many profiles are supplemented with sidebars relating traditions, lore, facts, or alumni recollections associated with buildings and spaces. More than just landmarks or static elements of infrastructure, buildings and spaces embody the university's values, cultural heritage, and educational purpose. These facilities--many more than a century old--are where students learn, explore, and grow and where faculty teach, research, and create. They harbor the university's history and traditions, protect its treasures, and hold memories for alumni. The repository for books, documents, artifacts, and tools that contain and convey much of the accumulated knowledge and wisdom of human existence, these structures are the legacy of generations. And they are tangible symbols of UGA's commitment to improve our world through education. Guide includes 113 color photos throughout 19 black-and-white historical photos Over 140 profiles of buildings, landmarks, and spaces Supplemental sidebars with traditions, lore, facts, and alumni anecdotes 6 maps

Practice of the Court of Referees on Private Bills in Parliament

Creation and Separation

Tang Taizong (Li Shimin), 2nd emperor of the Tang dynasty, commissioned six statues of his favorite warhorses to be carved in stone and serve as part of his political legacy at his mausoleum, Zhao Ling. This book traces the history and significance of these statues, from their creation in 7th-century China, through their removal from the mausoleum in the early 20th c., when two made their way to the United States antiquities market through the dealer C.T. Loo, and ultimately to the Penn Museum. Their time on the art market and subsequent stewardship by the Penn Museum are also explored. Contemporaneous sources and archival records reconstruct the roles of different people, Chinese and Westerners, in the sale of and competition for these stone horses. While underlining their exceptional significance and reconstructing the historical path they traversed, this work serves to bridge the gaps in the shared knowledge of the historical facts pertaining to these horse reliefs and build a common foundation for intercultural dialogue and cooperation surrounding cultural heritage preservation and changing museum practice.