Three Days In April Movie
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Americanizing the Movies and "Movie-Mad" Audiences, 1910-1914
Author: Richard Abel
language: en
Publisher: Univ of California Press
Release Date: 2006-08-15
Publisher description
Three Days in April
The debut standalone novel from author Edward Ashton, author of Mickey7, THREE DAYS IN APRIL is a near-future speculative thriller that marks the entry of a bright new voice into the genre. Anders Jensen is having a bad month. His roommate is a data thief, his girlfriend picks fights in bars, and his best friend is a cyborg…and a lousy tipper. When everything is spiraling out of control, though, maybe those are exactly the kind of friends you need. In a world divided between the genetically engineered elite and the unmodified masses, Anders is an anomaly: engineered, but still broke and living next to a crack house. All he wants is to land a tenure-track faculty position, and maybe meet someone who’s not technically a criminal-but when a nightmare plague rips through Hagerstown, Anders finds himself dodging kinetic energy weapons and government assassins as Baltimore slips into chaos. His friends aren’t as helpless as they seem, though, and his girlfriend’s street-magician brother-in-law might be a pretentious hipster - or might hold the secret to saving them all. Frenetic and audacious, Three Days in April is a a blend of science fiction and psychological thriller that raises an important question: once humanity goes down the rabbit hole, can we ever find our way back?
Motor City Movie Culture, 1916–1925
Author: Richard Abel
language: en
Publisher: Indiana University Press
Release Date: 2020-01-21
A study of how the film industry came to flourish in Detroit in the early years as locals were lured into the new picture theaters. Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit’s diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr’actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.