The Unmasking Of Robert Houdin

The Unmasking of Robert-Houdin

In "The Unmasking of Robert-Houdin," Harry Houdini meticulously dissects the mythology surrounding Jean Eugène Robert-Houdin, often hailed as the father of modern magic. Through a blend of biographical narrative and rigorous investigation, Houdini argues against the romanticized legacy of Robert-Houdin, revealing the man behind the illusions. The book melds elements of memoir and critical analysis, employing a direct and engaging prose style that invites readers to question the veracity of established narratives in magical history. With the turn of the 20th century as a backdrop, Houdini's work situates itself within the broader discourse of performance and deception, illuminating the theatricality and secrets inherent in the art of magic. Harry Houdini, born Erik Weisz, was not only a renowned magician and escape artist but also a keen historian of the magical arts. His fascination with magic began in his youth, leading him to scrutinize its historical foundations critically. Houdini's nuanced understanding of illusion and performance, coupled with his personal battles against fraudulent practitioners of magic and spiritualism, directly influenced his pursuit to unveil the truth behind Robert-Houdin's mythos. For readers intrigued by the interplay of history, art, and illusion, "The Unmasking of Robert-Houdin" stands as a compelling exposition that challenges established norms and celebrates the craft of magic. Houdini's sharp insights and passionate prose make this work essential for both enthusiasts of magic and scholars seeking to understand the complexities of performance art.

The Unmasking of Robert-Houdin

The Unmasking of Robert-Houdini

THIS book is the natural result of the moulding, dominating influence which the spirit and writings of Robert-Houdin have exerted over my professional career. My interest in conjuring and magic and my enthusiasm for Robert-Houdin came into existence simultaneously. From the moment that I began to study the art, he became my guide and hero. I accepted his writings as my text-book and my gospel. What Blackstone is to the struggling lawyer, Hardee’s “Tactics” to the would-be officer, or Bismarck’s life and writings to the coming statesman, Robert-Houdin’s books were to me. To my unsophisticated mind, his “Memoirs” gave to the profession a dignity worth attaining at the cost of earnest, life-long effort. When it became necessary for me to take a stage-name, and a fellow-player, possessing a veneer of culture, told me that if I would add the letter “i” to Houdin’s name, it would mean, in the French language, “like Houdin,” I adopted the suggestion with enthusiasm. I asked nothing more of life than to become in my profession “like Robert-Houdin.” By this time I had re-read his works until I could recite passage after passage from memory. Then, when Fate turned kind and the golden pathway of success led me into broader avenues of work, I determined that my first tour abroad should be dedicated to adding new laurels to the fame of Robert-Houdin. By research and study I would unearth history yet unwritten, and record unsung triumphs of this great inventor and artiste. The pen of his most devoted student and follower would awaken new interest in his history.