The Other Side Of The Wind
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Orson Welles's Last Movie
Journalist Josh Karp shines a spotlight on the making of The Other Side of the Wind—the final unfinished film from the auteur of Citizen Kane in Orson Welles’s Last Movie, the basis of Oscar-winning director Morgan Neville’s Netflix Original Documentary, They’ll Love Me When I’m Dead. In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally, it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took six years during his lifetime—only to be finally completed more than thirty years after his death by The Last Picture Show director Peter Bogdanovich, who narrates the film, and released by Netflix. Orson Welles’s Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law, and based on a script that Welles rewrote every night for years, the film was a final attempt to one-up his own best work. It’s a production best encompassed by its star—the celebrated director of The Maltese Falcon, John Huston—who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”
The Shadow of the Wind
"Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should." —Michael Dirda, The Washington Post “Wondrous...masterful...The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly, Editor's Choice “This is one gorgeous read.” —Stephen King "I still remember the day my father took me to the Cemetary of Forgotten Books for the first time..." Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets—an epic story of murder, madness, and doomed love.
The Other Side of the World
WINNER - Readings Prize for New Australian Fiction 2015 Shortlisted - The Victorian Premier’s Literary Award 2015 Shortlisted - ABIA Literary Fiction Book of the Year 2016 Longlisted - The Stella Prize 2016 A story of melancholy beauty that proves the only thing harder than losing home is trying to find it again. Cambridge, 1963. Charlotte is struggling. With motherhood, with the changes marriage and parenthood bring, with losing the time and the energy to paint. Her husband, Henry, wants things to be as they were and can't face the thought of another English winter. A brochure slipped through the letterbox slot brings him the answer: 'Australia brings out the best in you'. Despite wanting to stay in the place that she knows, Charlotte is too worn out to fight. Before she has a chance to realise what it will mean, she is travelling to the other side of the world. Arriving in Perth, the southern sun shines a harsh light on both Henry and Charlotte and slowly reveals that their new life is not the answer either was hoping for. Charlotte is left wondering if there is anywhere she belongs and how far she'll go to find her way home . . . 'profoundly moving ... a literary tour de force' - Australian Women's Weekly 'the precision and flair of the writing is breathtaking' - Weekend Australian 'a mature and accomplished debut' - Hobart Mercury