The Most Beautiful

The Most Beautiful Disaster

Hope Carpenter opens up about her personal struggles that nearly destroyed her family, her church, and her ministry, but then God did something miraculous—out of her brokenness, He made something beautiful. As co-pastor of one of the nation's largest megachurches, Hope Carpenter had perfected the roles of supportive wife, good mother, devoted worship leader, and dutiful homemaker. But inside, she was secretly ashamed, sad, and afraid. She didn't know who she was, and she didn't know how to ask for help without bringing down the whole façade. A series of bad choices led to multiple affairs; her husband kicked her out and announced from the pulpit of their church that their marriage was over. Hope was sure her life was done. But in her lowest moments, something beautiful happened. God met her there, and, with a lot of hard work, time, and mountains of therapy, she started to understand the pain that had caused her to act out. She and her family faced their brokenness together, and in powerful acts of forgiveness only God could have arranged, they all found real breakthrough and healing. Ron and Hope rebuilt their marriage and their family, and their ministry thrives today. In The Most Beautiful Disaster, Hope helps readers understand the lasting impact of childhood trauma and gives readers practical steps to uncovering the root of pain in their own lives. She shows how small decisions can lead to big changes, and helps readers find healing and wholeness in Scripture and prayer. Ultimately, readers will be led to hope, reconciliation, and true freedom.

Ornament and Crime

Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck

The Young Woman's Journal