The Last Days Of A Rake

Rhoda Roberts

The Last Opera

From the fall of 1947 through the summer of 1951 composer Igor Stravinsky and poet W. H. Auden collaborated on the opera The Rake's Progress. At the time, their self-consciously conventional work seemed to appeal only to conservative audiences. Few perceived that Stravinsky and Auden were confronting the central crisis of the Modern age, for their story of a hapless eighteenth-century Everyman dramatizes the very limits of human will, a theme Auden insists underlies all opera. In The Last Opera, Chandler Carter weaves together three interlocking stories. The central and most detailed story explores the libretto and music of The Rake's Progress. The second positions the opera as a focal point in Stravinsky's artistic journey and those who helped him realize it—his librettists, Auden and Chester Kallman; his protégé Robert Craft; and his compatriot, fellow composer, and close friend Nicolas Nabokov. By exploring the ominous cultural landscape in which these fascinating individuals lived and worked, the book captures a pivotal twenty-five-year span (from approximately 1945 to 1970) during which modernists like Stravinsky and Auden confronted a tectonic disruption to their artistic worldview. Ultimately, Carter reveals how these stories fit into a larger third narrative, the 400-year history of opera. This richly and lovingly contextualized study of The Rake's Progress sheds new light on why, despite the hundreds of musical dramas and theater pieces that have been written since its premier in 1951, this work is still considered the "the last opera."

Love & Scandal

Nothing sells like love & scandal... Collette Jardiniere writes of passion and seduction but has experienced neither. Her pseudonymous novel, The Last Days of a Rake, has shocked Victorian society and become a runaway bestseller. Infamous roué Charles Jameson is "revealed" as the author, and Collette is outraged when the cad does little to curtail the gossip. Intrigued by the book the tabloids claim is his thinly veiled autobiography, Jameson tries to find the real author. Returning to London after an unsuccessful hunt, he is pleasantly distracted by a plain country miss reading the wicked book. Collette is dismayed when she learns the identity of the devastatingly handsome man who kissed her senseless. And Jameson cannot believe that she wrote The Last Days of a Rake. As Collette tries to convince him of the truth, their mutual attraction reaches a fever pitch, and soon they find themselves in a real-life scandal! 93,000 words