The Garden Of Heaven
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Even Better than Eden
God's Story Will End Better than It Began . . . Experienced Bible teacher Nancy Guthrie traces 9 themes throughout the Bible, revealing how God's plan for the new creation will be far more glorious than the original. But this new creation glory isn't just reserved for the future. The hope of God's plan for his people transforms everything about our lives today.
Heaven Is a Garden
"Why do some gardens make us feel so wonderful, relaxed and refreshed? Professional landscape designer Jan Johnsen shares her passion for creating serene, enticing gardens that become outdoor havens for our spirit. Heaven is a Garden is a thoroughly entrancing garden design book that you will refer to over and over. Johnsen draws on her 40 years of experience to explore far-ranging ideas, some new, some ancient like, why a gate facing East is considered auspicious, why a sheltered corner is so alluring and why certain trees can impart a special atmosphere. Richly photographed with inspiring landscapes, this guide is written with thoughtful prose and practical advice. It reveals how, with a new/old design approach, you can create a delightful outdoor haven that everyone will enjoy. Jan Johnsen writes the popular Serenity in the Garden blog www.serenityinthegarden.blogspot.com and Facebook page." --Publisher's description.
The Garden and the Fire
Author: Nerina Rustomji
language: en
Publisher: Columbia University Press
Release Date: 2013-10-01
Islamic conceptions of heaven and hell began in the seventh century as an early doctrinal innovation, but by the twelfth century, these notions had evolved into a highly formalized ideal of perfection. In tracking this transformation, Nerina Rustomji reveals the distinct material culture and aesthetic vocabulary Muslims developed to understand heaven and hell and identifies the communities and strategies of defense that took shape around the promise of a future world. Ideas of the afterworld profoundly influenced daily behaviors in Islamic society and gave rise to a code of ethics that encouraged abstinence from sumptuous objects, such as silver vessels and silk, so they could be appreciated later in heaven. Rustomji conducts a meticulous study of texts and images and carefully connects the landscape and social dynamics of the afterworld with earthly models and expectations. Male servants and female companions become otherworldly objects in the afterlife, and stories of rewards and punishment helped preachers promote religious reform. By employing material culture as a method of historical inquiry, Rustomji points to the reflections, discussions, and constructions that actively influenced Muslims' picture of the afterworld, culminating in a distinct religious aesthetic.