The Flower Of Shazui

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Chinese Science Fiction

Zusammenfassung: "The collection, a first-of-its-kind project in English-language scholarship, heralds a kind of Chinese sf studies 2.0, emphasizing the multiple points of origin and the sheer diversity of the histories, cultures, aesthetic expressions, and transmedial forms that together make up the sprawling field of "Chinese science fiction." --Veronica Hollinger, co-editor, Science Fiction Studies This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a "second wave" of Chinese science fiction studies, re-evaluating the canon of Chinese science fiction print and cinematic production, and expand the range of critical approaches to the subject. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China's rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty. Mingwei Song is Professor of Modern Chinese Literature at Wellesley College. He is the author of numerous books and research articles, including Young China: National Rejuvenation and the Bildungsroman, 1900-1959 (2015) and Fear of Seeing: A Poetics of Chinese Science Fiction (2023). Nathaniel Isaacson is Associate Professor of Modern Chinese Literature in the Department of World Languages and Cultures at North Carolina State University. He is the author of Celestial Empire: the Emergence of Chinese Science Fiction (2017). Hua Li is Professor of Chinese in the Department of Modern Languages and Literatures at Montana State University. She has published Contemporary Chinese Fiction by Su Tong and Yu Hua: Coming of Age in Troubled Times (2011) and Chinese Science Fiction during the Post-Mao Cultural Thaw (2021)
Science Fiction and the Dismal Science

Despite the growing importance of economics in our lives, literary scholars have long been reluctant to consider economic issues as they examine key texts. This volume seeks to fill one of these conspicuous gaps in the critical literature by focusing on various connections between science fiction and economics, with some attention to related fields such as politics and government. Its seventeen contributors include five award-winning scholars, five science fiction writers, and a widely published economist. Three topics are covered: what noted science fiction writers like Robert A. Heinlein, Frank Herbert, and Kim Stanley Robinson have had to say about our economic and political future; how the competitive and ever-changing publishing marketplace has affected the growth and development of science fiction from the nineteenth century to today; and how the scholars who examine science fiction have themselves been influenced by the economics of academia. Although the essays focus primarily on American science fiction, the traditions of Russian and Chinese science fiction are also examined. A comprehensive bibliography of works related to science fiction and economics will assist other readers and critics who are interested in this subject.
Invisible Planets

Invisible Planets, edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction. The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites. To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection. For more Chinese SF in translation, check out Broken Stars. Stories: “The Year of the Rat” by Chen Qiufan “The Fist of Lijian” by Chen Qiufan “The Flower of Shazui” by Chen Qiufan “A Hundred Ghosts Parade Tonight” by Xia Jia “Tongtong’s Summer” by Xia Jia “Night Journey of the Dragon-Horse” by Xia jia “The City of Silence” by Ma Boyong “Invisible Planets” by Hao Jingfang “Folding Beijing” by Hao Jingfang “Call Girl” by Tang Fei “Grave of the Fireflies” by Cheng Jingbo “The Circle” by Liu Cixin “Taking Care of God” by Liu Cixin Essays: “The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu “The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu “What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.