The Cinema Kalyan Pur
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Human Cinema
Hrishikesh Mukherjee’s films have brought immense joy to generations of film lovers, and a new generation is now being impressed by his works, thanks to the many repeated telecasts on various channels of his classic comedies such as Gol Maal and Chupke Chupke among others. This book is about the forty-two films that were directed by Hrishikesh Mukherjee and how his vision of humans is as important as that of his mentor, Bimal Roy. The book is both a fan’s perspective and a complete listing of all the released films of Mukherjee from 1957 till 1998.
Beete Hue Din (Forgotten Memories of Hindi Cinema)
Huge amount of information is available about Hindi films on the internet. Unfortunately, not all of it is reliable. Mistakes range from honest clerical errors to outright made-up interviews with famous people. In this book the author describes his real interactions with Hindi film actresses who were active in the 40s to 60s. Most had been away from the industry for a long time and were living anonymously. The author made great effort to seek them out and interviewed them. He has obtained much rare and authentic information, clarifying many misconceptions and finding elaborations of other well-known facts about them. We hope that the readers will enjoy reading about them as much as the author has writing about the interviews.
The Man Who Became Cinema
Author: Ashok Chopra
language: en
Publisher: Penguin Random House India Private Limited
Release Date: 2025-05-30
Discover the magic of Indian cinema’s greatest legend with this in-depth analysis which delves into the art and craft of the cinema of Dilip Kumar. This volume intricately explores film by film, scene by scene, song by song coupled with some of the most epochal and quintessential dialogues from the iconic films of the ‘world’s first Method actor’. It fosters a profound understanding of the psychological, behavioural, and improvisational aspects of film acting and cinematic character as interpreted by the greatest phenomenon of Indian cinema. It minutely observes and comprehends the intricate characterizations he meticulously portrayed across various genres: from tragedy to comedy, from romance to malevolence, and from a bumpkin to a sophisticate. He could seamlessly change his persona on screen from a gangster to a law-abiding cop as also convincingly portray triple roles with each character distinct from the other two. Supported by astute research ensuring authenticity, it also explores the world of Hindi film music and those who made it an essential part of filmmaking in general and its significance to the films of Dilip Kumar in particular. Additionally, it also sheds light on the collaborative efforts of filmmakers, music composers, lyricists, writers, cinematographers and film critics and authors who contributed to the enduring legacy of his work. This is a must read for fans of Indian cinema, celebrating the timeless legacy of the one and only Dilip Kumar.